ADKO

zodiac

14 min read

This PDF argues that the Zodiac Murders, the Houston Serial Murder event of 1973, and the murders attributed to Richard Cottingham were all faked. The author, Miles Mathis, claims to have decoded the Zodiac killer’s cryptograms and found hidden messages. He suggests that the Zodiac killings were orchestrated by a “spooky subset of the Feds” and not by a genuine serial killer. Mathis identifies Robert Graysmith (also known as Robert Gray Smith) as a key figure in perpetuating the Zodiac myth, pointing to his books and their influence on the movie “Zodiac.” He also suggests that other high-profile cases, like the Unabomber and Jack the Ripper, may also be hoaxes connected to Graysmith’s work.

The author delves into the potential involvement of various individuals, including Seth Morgan, Janis Joplin, Kris Kristofferson, Jerry Garcia, Robert Hunter, Bob Dylan, Jim Morrison, and members of the Rothschild family, suggesting their connections to intelligence agencies like the CIA and their role in a broader cultural manipulation. He also criticizes the investigative methods and reporting of figures like Thomas Horan, Keith Power, and Hal Snook, arguing that their theories, while acknowledging some inconsistencies, ultimately fail to identify the true orchestrators—the Feds.

Mathis scrutinizes crime scene photos and witness testimonies, claiming they are inconsistent and appear staged. He questions the survival of Michael Mageau and suggests that Darlene Ferrin’s death may have been faked. The author also analyzes the Cheri Jo Bates murder, suggesting it was staged, citing a photograph taken shortly before her death as suspicious. He further points to the military backgrounds of parents of victims and individuals connected to the cases, highlighting a pattern of involvement by individuals with ties to the military and intelligence agencies.

The analysis extends to the Richard Cottingham murders and the Houston Serial Murder event, with Mathis arguing that photographic evidence is fabricated and that interviews with alleged perpetrators are staged propaganda. He critiques the logistics and inconsistencies in witness accounts and police reports, suggesting the events were manufactured to instill fear and control the public narrative. The author concludes by stating that these events, along with the Tate Murders, share common markers of faked events, including numerology, flawed narratives, and the pervasive influence of the military and intelligence apparatus. He specifically points to a variant copy of a Zodiac letter discovered by the FBI as definitive proof that the Bureau itself composed the first draft, further implicating federal agencies. The paper also explores the idea that these events were designed to sow distrust and division within society, pushing individuals to rely solely on government and media for guidance. Finally, Mathis discusses his interpretation of numerology, viewing it not as a tool for manipulation but as a system of cosmic order.

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