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blake

6 min read

The author, Miles Mathis, argues that the Robert Blake murder event was faked, citing several “red flags” and inconsistencies. He suggests that the case was orchestrated by the CIA as part of a larger “Men are Pigs Project” and that Blake himself was a willing participant, likely as a CIA asset.

Mathis points to Quentin Tarantino’s dedication of Once Upon a Time in Hollywood to Blake as an initial clue, suggesting a connection between fake events and those involved. He theorizes that Blake and Tarantino are related and that Tarantino drew inspiration for a character from Gary McLarty, a stuntman with a history of suspicious incidents.

The author further speculates that Blake’s alleged victim, Bonny Lee Bakley, was not actually his wife but possibly his cousin, as “Bakley” is an anagram of “Blake.” He also suggests that Bakley’s death was staged to benefit both her and Blake, and that their daughter, Rose, was likely borrowed from Blake’s family to be used in the staged event. Mathis notes that online databases fail to link Blake and Bakley as married, and that Rose is now listed as Rose Hurwitz, with no connection to Bakley in the system.

Mathis also questions the timeline of the case, noting that the alleged murder occurred shortly before 11, suggesting it could have been used to distract from other events. He argues that Blake had no career to lose and that the trial was a “fake criminal trial” similar to the OJ Simpson trial, where the accused wins the criminal trial and loses the civil trial but faces no real consequences.

The author criticizes the lack of forensic evidence presented by the prosecution and the unusual behavior of the junior prosecutor, Shellie Samuels, in discussing the case publicly before the trial. He suggests that the case was handled by a “dummy district court” run by the CIA in Los Angeles.

Mathis also examines photos presented as evidence, calling them “fake photos,” and questions the appearance and relationship of Bonny Lee Bakley to Robert Blake and their alleged daughter Rose. He notes that Rose now resembles Delinah Hurwitz, Blake’s other daughter, more than Bakley.

Additional “clues” include Blake’s alleged middle name Vijencio being Spanish rather than Italian, the proximity of Nutley, NJ and Washington, NJ where both Blake and Bakley were reportedly from, and Sondra Kerr’s past testimony that Blake had a contract on her, which Mathis now views as part of “theater.” He also connects Blake’s past acting roles in “fake” productions like In Cold Blood, Billy the Kid, Jimmy Hoffa, and John List to his alleged role in the staged murder.

Finally, Mathis brings Truman Capote and Harper Lee into his theory, suggesting that their involvement in researching In Cold Blood implies they were also part of a “spook” operation, further linking the “fake” murder to a broader pattern of deception. He concludes by stating that In Cold Blood and Helter Skelter were fictional works disguised as non-fiction, part of a larger trend of fabricated true crime narratives.

Summary with Annotated List:

The author, Miles Mathis, argues that the Robert Blake murder event was faked, citing several “red flags” and inconsistencies. He suggests that the case was orchestrated by the CIA as part of a larger “Men are Pigs Project” and that blake himself was a willing participant, likely as a CIA asset.

Mathis points to Quentin Tarantino’s dedication of Once Upon a Time in Hollywood to blake as an initial clue, suggesting a connection between fake events and those involved. He theorizes that blake and Tarantino are related and that Tarantino drew inspiration for a character from Gary McLarty, a stuntman with a history of suspicious incidents.

The author further speculates that blake’s alleged victim, Bonny Lee Bakley, was not actually his wife but possibly his cousin, as “Bakley” is an anagram of “Blake.” He also suggests that Bakley’s death was staged to benefit both her and blake, and that their daughter, Rose, was likely borrowed from blake’s family to be used in the staged event. Mathis notes that online databases fail to link blake and Bakley as married, and that Rose is now listed as Rose Hurwitz, with no connection to Bakley in the system.

Mathis also questions the timeline of the case, noting that the alleged murder occurred shortly before 11, suggesting it could have been used to distract from other events. He argues that blake had no career to lose and that the trial was a “fake criminal trial” similar to the OJ Simpson trial, where the accused wins the criminal trial and loses the civil trial but faces no real consequences.

The author criticizes the lack of forensic evidence presented by the prosecution and the unusual behavior of the junior prosecutor, Shellie Samuels, in discussing the case publicly before the trial. He suggests that the case was handled by a “dummy district court” run by the CIA in Los Angeles.

Mathis also examines photos presented as evidence, calling them “fake photos,” and questions the appearance and relationship of Bonny Lee Bakley to Robert Blake and their alleged daughter Rose. He notes that Rose now resembles Delinah Hurwitz, blake’s other daughter, more than Bakley.

Additional “clues” include blake’s alleged middle name Vijencio being Spanish rather than Italian, the proximity of Nutley, NJ and Washington, NJ where both blake and Bakley were reportedly from, and Sondra Kerr’s past testimony that blake had a contract on her, which Mathis now views as part of “theater.” He also connects blake’s past acting roles in “fake” productions like In Cold Blood, Billy the Kid, Jimmy Hoffa, and John List to his alleged role in the staged murder.

Finally, Mathis brings Truman Capote and Harper Lee into his theory, suggesting that their involvement in researching In Cold Blood implies they were also part of a “spook” operation, further linking the “fake” murder to a broader pattern of deception. He concludes by stating that In Cold Blood and Helter Skelter were fictional works disguised as non-fiction, part of a larger trend of fabricated true crime narratives.

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