This document is a comprehensive list of art writings by Miles Mathis, spanning from 1995 to 2024. Mathis frequently critiques what he perceives as fraud and deception within the art world, often focusing on modernist and contemporary artists and institutions. His writings frequently challenge established narratives and expose what he views as propaganda, often involving connections to intelligence agencies like the CIA. He also analyzes art historical works, films, and documentaries, offering counter-critiques and alternative perspectives. The list includes specific titles of his essays and the years they were published, covering a wide range of artists, movements, and art-related events.
Here is a list of subjects, names, references, locations, companies, etc., from the text, marked with double square brackets:
This document is a comprehensive list of art writings by Miles Mathis, spanning from 1995 to 2024. Mathis frequently critiques what he perceives as fraud and deception within the art world, often focusing on modernist and contemporary artists and institutions. His writings frequently challenge established narratives and expose what he views as propaganda, often involving connections to intelligence agencies like the CIA. He also analyzes art historical works, films, and documentaries, offering counter-critiques and alternative perspectives. The list includes specific titles of his essays and the years they were published, covering a wide range of artists, movements, and art-related events.
- The Poem that Should have Changed History
- corot
- Reynolds
- Fake or Fortune
- King Charles
- Andy Warhol
- Marcel Duchamp
- Bob Ross
- Oscar Wilde
- Brad Pitt
- Nick Cave
- Thomas Houseago
- Vermeer
- National Gallery
- Botticellis
- Christ
- Made You Look
- Isabella Stewart Gardner Theft
- Girl with a Pearl Earring
- Raphael
- Sistine Madonna
- Burning Man
- Dark MOFO
- Tasmania
- Salvator Mundi
- Trump-Russia
- Modernism is Fascism
- Jerry Saltz
- Leonardo
- Mr. Turner
- Turner
- Mabel Dodge Luhan
- Georgia O’Keeffe
- Duncan
- blake
- Bo Bartlett
- Tim’s Vermeer
- CIA
- The Painted Word
- The Stolen Century
- Theosophy
- Beat Generation
- Occult
- MOMA
- Shepard Fairey
- OBEY
- The Destruction of the Artist
- Chuck Connelly
- Meyer Schapiro
- A Nation of Scabs
- Taos
- Taos Fall Arts Festival
- Default Swap
- Chapman Bros.
- Goya
- The Mona Lisa Curse
- Robert Hughes
- Adam Gopnik
- Jacob Collins
- New Yorker
- Clive Bell
- Formalism
- Art
- Whistler
- Post-Impressionists
- The Rise of Corporate Art
- Prince Gimmick
- Chuck Close
- Agnes Martin
- Tim Eitel
- Pace Wildenstein Gallery
- Arne Glimcher
- Balls in a Basket
- New York Times Review
- New Museum
- Jeffrey Deitch
- Forum Gallery
- John Pence Gallery
- Dennis Hopper
- Harwood Museum
- Larry Bell
- James Joyce
- Ulysses
- Modern Library
- The Venice Biennale 2009
- Art in America
- Futurism
- Stuckism
- Parliament
- bbc
- The Turner Prize
- Madonna
- Nicolas Serota
- Hockney-Falco “Thesis”
- Hockney
- Falco
- David Stork
- The Holeness of Jasper Johns
- Jasper Johns
- Philip Pearlstein
- Contra Dave Hickey
- Dave Hickey
- Currin
- John Currin
- Walter Pater
- The School of Giorgione
- Nietzsche
- The Case of Wagner
- Chance Abutmenting
- Peter Schjeldahl
- Contra Jerry Saltz
- New York Magazine
- The National Portrait Competition
- Carolyn Carr
- Trevor Fairbrother
- Brandon Fortune
- Thelma Golden
- Marc Pachter
- Katy Siegel
- Claudio Bravo
- Marlborough Gallery
- Paul Oxborough
- New Realism
- John Carey
- Sunday Times
- London
- The Many Failures of Modernism
- The Cardboard Dragon
- Sotheby’s
- MOMA
- Museum of Modern Art
- Dada
- The Future of Art
- Art Connoisseur
- Art Now
- The Art of the Lastman
- Dante contra Danto
- Arthur Danto
- Van Gogh
- A Letter from the Artist