ADKO

adele

4 min read

This article by Miles Mathis claims that adele’s biography is a fabricated narrative designed to obscure her true origins and connections. Mathis suggests that Adele, despite her stated humble beginnings from a broken family with a plumber father and a mother on welfare, actually comes from a privileged background. He points to her upbringing in areas like Brighton and Brockwell Park, and her attendance at the BRIT School for Performing Arts and Technology in Croydon, as evidence against the official story.

Mathis further speculates that adele’s full name, Adele Laurie Blue Adkins, is not her birth name and that “Laurie Blue” is a fabricated middle name to hide a more revealing one, possibly Stuart, Cohen, Stanley, or Churchill. He questions the identity of her father, Mark Evans, suggesting he is not a plumber based on his appearance and accessories like a Patek Philippe watch. Mathis proposes he might be Marcus Julius Evans, connected to the Arbuthnotts and Stuarts, or another Evans from the peerage. He also notes that adele’s father’s sister was allegedly named Adelaide, suggesting adele may be named after her aunt.

The article also scrutinizes adele’s career launch, detailing how her songs were allegedly discovered at age 17 by Richard Russell, head of Beggars Group, an imprint linked to British Intelligence. Beggars Group is described as the creation of Martin Mills, who is implied to have aristocratic connections through the Mills baronets and Viscounts Mills, and ties to the Stuarts, Hamiltons, Murrays, and Palmers. Mathis also questions the claims of adele writing her hit song “Chasing Pavements,” stating it was co-written by her producer Eg White, and suggests her voice is auto-tuned and imitative of Black artists like Ella Fitzgerald and Billie Holliday, a practice he also attributes to Amy Winehouse.

Mathis expresses disbelief in adele’s sales figures, particularly for her album “21,” and argues that the term “top performing” is undefined and misleading. He suggests adele is heavily promoted due to being a “peerage brat” with Intelligence ties, used to sell programs like “Men-are-Pigs” and drugs, citing her Wiki page’s links to postpartum depression and anxiety. He also discusses adele’s significant weight loss and speculates about her potential replacement due to advancements in vocal technology, comparing her to artists like Steve Perry, Billy Joel, and Donovan.

The author further delves into adele’s tattoos, including a Saturn symbol, which he links to her Phoenician heritage and the god El/Ba’al, a signal of belonging to “the Families.” He also mentions a bird tattoo (likely a phoenix) and a mountain tattoo (possibly Mt. Hermon), and an “A” tattoo, questioning if it represents adele or the Scarlet Letter.

Finally, Mathis addresses adele’s current relationship with sports agent Rich Paul, describing him as having a mysterious bio and rapidly achieved success. He suggests Paul and adele might be cousins and that their meeting at a party implies connections to elite circles like those found in the Social Register. The article concludes by drawing parallels between the alleged fabrication of adele’s story and other instances of dishonesty and corruption in media, sports, and society, emphasizing the importance of the 9th Commandment against lying.

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