This article questions the mainstream narrative surrounding the reported death of former child star Rory Sykes in the Malibu fires on January 8, 2025. The author, Trobador, presents several inconsistencies and suspicious elements in the story, suggesting it may be a “fake death.” These include Sykes’s ability to stare at a camera despite being reported as blind, the mother Shelley Sykes’s seemingly opportune social media posts that promote various brands and organizations immediately after her son’s alleged death, and the implausible details of the fire itself, such as the lack of water and the selective burning of properties. The article also delves into the background of Shelley Sykes, her family connections, and the potential historical links to wealth and deception within the sykes family, suggesting a pattern of “high level fakery.” The author also touches on broader themes of staged events and media manipulation, drawing parallels to other incidents.
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This article questions the mainstream narrative surrounding the reported death of former child star Rory Sykes in the Malibu fires on January 8, 2025. The author, Trobador, presents several inconsistencies and suspicious elements in the story, suggesting it may be a “fake death.” These include Rory Sykes’s ability to stare at a camera despite being reported as blind, the mother Shelley Sykes’s seemingly opportune social media posts that promote various brands and organizations like Apple and Tim Cook, and the implausible details of the fire itself, such as the lack of water from Las Virgenes Municipal Water and the selective burning of properties. The article also delves into the background of Shelley Sykes, her family connections to Pauline Lowe, John Kerry, Rob Lowe, the Sykes baronets, Admiral Ashmore, Liddells, and President Biden, and the potential historical links to wealth and deception within the sykes family, suggesting a pattern of “high level fakery.” This includes mentions of Sir Richard Sykes, the IRA, the Phoenician Navy, the East India Company, Warren Hastings, Lord Clive, Colonel Sir Mark Sykes, Cavendish-Bentinck, and the Dukes of Portland. The author also touches on broader themes of staged events and media manipulation, drawing parallels to other incidents involving Hamas, Hezbollah, and the British East India Company. The article further references Fox News, IMDB, X (formerly Twitter), RuneScape, Tony Robbins, Simon & Schuster, Callum’s Cure, Edgee, Mickie, Gety Center, Thomas Mann, Villa Aurora, Stern.de, The Guardian, Artnews.com, Miles, Mel Gibson, and the author’s own previous work on Lahaina. The author also questions the visual evidence from the fires, mentioning descriptions of burned areas that look like “white ash” and the selective burning of houses, as well as the alleged survival of Rory Sykes’s peacocks, Edgee and Mickie. The article concludes by questioning the origin of the sykes family’s wealth and Shelley Sykes’s desire to conceal her maiden name and paternal lineage, suggesting the entire incident might be a fabrication. The author also points out the unlikelihood of a beachfront mansion estate like the Mount Malibu TV Studio being targeted by a wildfire while adjacent properties remain untouched, and mentions the Get Syked with Style TV show.