ADKO

silk

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The text argues that the Karen Silkwood Event was staged and not a genuine incident involving a whistleblowing worker. The author, Miles Mathis, posits that Karen Silkwood was not a simple nobody but rather belonged to a network of “hidden nobility,” evidenced by her alleged Jewish heritage and connections to wealthy and influential families like the Meadows, Faulkner, Ford, Cowan (Cohen), Marland, Rockefeller, patton, Rensselaer, Beatty, Rittenhouse, Smith, Zeufuss, Jarvis, Rosenkranz, Minsinger, Schwartager, Barrett, Middleton (Kate Middleton), Russell, King, Dahm, McGraw (Phillip McGraw, Jay McGraw), Rice, Pryor, Newby, Green, Willis, Gardner, Bland, Scott, Jobe, Rose, Strickland, Webster, McCormick, Moss, Deberry, Whaley, Rowling, Morgan, Strother, Mountjoy, Fitzhugh, Taliaferro, Carter, Robinson, Duke, Whitworth, Goldsmid-Stern-Salomons, Blunt, Kennedy, Leveson-Gower, Armstrong, and tate. The author claims Silkwood’s connection to Edward Whitworth Marland is particularly significant, as he was a wealthy former governor of Oklahoma and a descendant of the East India Company.

The text questions the plausibility of Silkwood’s employment and rapid rise within the Kerr-McGee Union, suggesting her actions were scripted. The author also scrutinizes the circumstances of her alleged death in a car crash, the drugs found in her system, and the subsequent closure of Kerr-McGee’s nuclear facilities, arguing these were orchestrated to support the narrative. The author highlights the involvement of individuals like Gerry Spence and Daniel Sheehan (head of the Christic Institute, later the Romero Institute) as evidence of a staged event, linking them to other “hoaxes” such as Three Mile Island and the Pentagon Papers. The Christic Institute’s funding by the New World Foundation (allegedly a CIA front) and its association with Hillary Clinton are also pointed out.

The text further suggests that Meryl Streep, who played Karen Silkwood in the film, is distantly related to her, reinforcing the idea of a manufactured narrative. Richard Rashke, author of “The Killing of Karen Silkwood,” is also identified as Jewish and his work is dismissed as further misdirection.

The author concludes by asserting that the entire “nuclear hoax” is a conspiracy to justify massive government spending on nuclear weapons and related infrastructure. Events like Three Mile Island, Chernobyl, and Fukushima are presented as staged to confirm the existence and dangers of nuclear power, which is itself portrayed as a fabrication used to support the reality of nuclear weapons and maintain public fear. The author also questions the functionality of nuclear power plant cooling towers. The text implies that Kerr-McGee may have intentionally misrepresented non-nuclear waste as nuclear to avoid liability, using the “national security” shield of nuclear projects. The film “The China Syndrome” is presented as a deliberate precursor to the Three Mile Island “accident,” further supporting the staged nature of the event.

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