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siegel

9 min read

This article by Miles Mathis argues that many historical photographs, particularly those related to Nazis and World War II, are faked. Mathis begins by scrutinizing a photograph allegedly depicting Dr. Michael Siegel, a Jewish attorney in Munich in 1933, being punished by police. He claims the sign he’s holding is altered, and the lighting and depiction of his legs are inconsistent and indicative of manipulation, suggesting a painted-on rip and white longjohns instead of torn pants. Mathis asserts this is an attempt to hide fabricated details.

He then shifts to Bugsy Siegel, a figure from the Jewish mafia. Mathis analyzes a supposed mugshot of Bugsy, pointing out inconsistencies like the hat and lighting, arguing it’s a fake and therefore Bugsy was never arrested, making his life story fiction. Mathis proposes that organized crime and groups like the Nazis are fronts for wealthy Jewish elites from European nobility, with figures like Bugsy being actors for these powerful families, including bankers and billionaires. He links Bugsy to famous actors like Cary Grant, Gary Cooper, Clark Gable, Jean Harlow, Tony Curtis, and Frank Sinatra, suggesting they were all part of this fabricated history. Mathis further claims that Bugsy’s alleged relationship with Countess Dorothy di Frasso was not due to mob connections but kinship, as Bugsy was a siegel of European Jewish lines. He connects Dorothy di Frasso to Mussolini, Goering, and Goebbels through her family, the Taylors, who were influential Jewish businessmen and related to Elizabeth Taylor, who in turn is linked to several U.S. Presidents.

Mathis then explores the Hiller surname, linking it to Hitler. He mentions Bernadette (Biba) Jennians, formerly Hiller, who married Angus Montagu, the 12th Duke of Manchester. He notes discrepancies in her biography and suggests her family name Hiller is deliberately obscured due to its connection to Hitler. He further links a Rhiannon Hiller to a large drug bust in San Diego, suggesting she, like others with the Hiller name, are connected to powerful Jewish families. Mathis then traces Hillers to Hungarian royalty and Austro-Hungarian figures, and to Nazi Party members and bankers like Maximilian Egon II, Prince of Furstenberg. He also discusses Alois Arthur Hiller, a descendant of Hitler, and the survival of Hitler’s descendants, including the Stuart-Houston brothers living in Long Island, noting that their lineage is not dying out as claimed.

Returning to Bugsy Siegel, Mathis suggests he was gay and that his supposed relationship with Dorothy di Frasso was a familial visit, as both were related through Jewish European nobility. He speculates Bugsy faked his death to escape debts from the Flamingo Hotel failure. Mathis also brings up Martha Sharp Crawford, another wealthy heiress, who married Prince Alfred von Auersperg and later Claus von Bulow. He links Claus von Bulow to Nazi collaborators and suggests he may have attempted insurance fraud. The von Bulows are also connected to German princes and Chancellors. Mathis then examines Nazi Colonel Georg von Bulow, an adjutant of Hitler, questioning his purported Jewish ancestry and the inconsistencies in his military rank and burial location, suggesting his story is fabricated.

Mathis concludes by presenting more supposedly fake Hitler photographs. He critiques an image presented by Life as a staged photo of Nazi actors, and another manipulated image for LIFE magazine that was a redone baby photo of John May Warren. He also disputes the authenticity of a photo of Hitler outside Landsberg Prison, claiming it’s a paste. He briefly mentions a photo of Fraulein Hess and Hitler. Finally, Mathis references an article in Haaretz admitting that the Warsaw Concentration Camp story published by Wikipedia in 2004 is fake, suggesting that the ease with which such stories can be fabricated is alarming and was perhaps an inspiration for Poles to create their own false narratives about deaths. He implies Jewish leaders intentionally waited to publicize the Warsaw Concentration Camp fakery.

Summary with Marked Entities:

This article by Miles Mathis asserts that numerous historical images, particularly those concerning Nazis and World War II, are fabricated. Mathis begins by dissecting a purported photograph of Dr. Michael Siegel, a Jewish lawyer in Munich in 1933, subjected to police punishment. He contends the sign is altered, and the lighting and Siegel’s legs are inconsistent, suggesting a painted tear and white longjohns. Mathis argues this indicates an attempt to obscure manufactured details. He then discusses Bugsy Siegel, a figure from the Jewish mafia. Mathis examines a supposed mugshot of Bugsy, highlighting anomalies in the hat and lighting, and claims it’s a fake, implying Bugsy was never apprehended, thus rendering his life story fictional. Mathis posits that organized crime and groups like the Nazis are facades for wealthy Jewish elites from European nobility, with individuals like Bugsy being actors for these powerful entities, including financiers and billionaires. He links Bugsy to renowned actors such as Cary Grant, Gary Cooper, Clark Gable, Jean Harlow, Tony Curtis, and Frank Sinatra, suggesting their shared participation in this fabricated history. Mathis further suggests that Bugsy’s alleged relationship with Countess Dorothy di Frasso stemmed not from mob affiliations but from kinship, given Bugsy’s siegel lineage within Jewish European aristocracy. He connects Dorothy di Frasso to Mussolini, Goering, and Goebbels through her Taylor family, who were influential Jewish business magnates and relatives of Elizabeth Taylor, who, in turn, is linked to multiple U.S. Presidents.

Mathis then explores the surname Hiller, linking it to Hitler. He mentions Bernadette (Biba) Jennians, formerly Hiller, who married Angus Montagu, the 12th Duke of Manchester. He points out discrepancies in her biographical details and implies her family name Hiller is intentionally concealed due to its association with Hitler. He further connects Rhiannon Hiller to a significant drug seizure in San Diego, suggesting she, along with others named Hiller, are linked to influential Jewish families. Mathis subsequently traces Hillers to Hungarian royalty and Austro-Hungarian figures, and to Nazi Party members and financiers like Maximilian Egon II, Prince of Furstenberg. He also discusses Alois Arthur Hiller, a descendant of Hitler, and the continued existence of Hitler’s progeny, including the Stuart-Houston brothers residing in Long Island, noting that their lineage is not diminishing as asserted.

Returning to Bugsy Siegel, Mathis speculates he was homosexual and that his supposed liaison with Dorothy di Frasso was a family visit, as both were related through Jewish European nobility. He theorizes Bugsy faked his demise to evade debts from the Flamingo Hotel collapse. Mathis also brings up Martha Sharp Crawford, another affluent heiress, who married Prince Alfred von Auersperg and subsequently Claus von Bulow. He associates Claus von Bulow with Nazi collaborators and suggests he might have engaged in insurance fraud. The von Bulows are also connected to German princes and Chancellors. Mathis then examines Nazi Colonel Georg von Bulow, an aide to Hitler, questioning his alleged Jewish heritage and the inconsistencies in his military rank and burial location, implying his narrative is fabricated.

Mathis concludes by presenting additional allegedly fabricated Hitler photographs. He criticizes an image published by Life as a staged photograph of Nazi actors, and another doctored image for LIFE magazine that was a retouched baby photo of John May Warren. He also disputes the authenticity of a photograph of Hitler outside Landsberg Prison, labeling it as a composite. He briefly mentions a picture of Fraulein Hess and Hitler. Lastly, Mathis refers to an article in Haaretz acknowledging that the narrative of the Warsaw Concentration Camp, as presented by Wikipedia in 2004, is false, suggesting that the ease with which such accounts can be manufactured is concerning and possibly prompted Poles to create their own fabricated narratives concerning fatalities. He implies that Jewish leaders deliberately delayed the public disclosure of the Warsaw Concentration Camp fabrication.

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