The provided text, “The Salman Rushdie Stabbing Was Staged” by Miles Mathis, argues that the Salman Rushdie stabbing incident was a fabricated event. The author points to the alleged lack of security at the event, despite Rushdie having a long-standing fatwa and bounty on his head, as a primary piece of evidence. The text further claims that the Chautauqua Institution leadership disregarded security recommendations to avoid alienating the audience, which the author finds illogical given the subsequent attack. The author also casts doubt on the attacker, Hadi Matar, suggesting his name’s meaning (“to kill”) is too on-the-nose and that his alleged multiple stabs indicate a lack of actual killing intent.

The article draws parallels to other alleged “fake” incidents involving Ricky Gervais, Dave Chappelle, and Will Smith. It also questions the authenticity of photos of Hassan Nasrallah, Ali Khamenei, and Qassem Soleimani, suggesting they are doctored. The author hypothesizes that the entire incident, including the fatwa and the stabbing, was orchestrated for promotion, possibly by Rushdie’s former ad agency.

The text delves into the background of the Chautauqua Institution, linking its founder, Lewis Miller, to prominent Jewish families and suggesting the institution itself was a historical propaganda tool of the ruling class. It also explores Rushdie’s own background, suggesting he has Jewish heritage and that his father’s name change was significant. The author critiques Rushdie’s writing, particularly The Satanic Verses, as deliberately obnoxious and poorly constructed.

Finally, the article criticizes various media outlets and figures, including Zerohedge, Gatestone Institute, Giulio Meotti, Ayaan Hirsi Ali, Theo van Gogh, and Neil Campbell Ferguson, labeling them as part of a broader propaganda apparatus, often linked to the CIA or Jewish neocon agendas. The author concludes that the Rushdie stabbing narrative, like previous alleged incidents, is a manufactured event for public deception.

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The Salman Rushdie Stabbing was Staged by Miles Mathis. The author asserts the stabbing of Salman Rushdie was a fabricated event. Key points include the lack of security at the Chautauqua Institution event, despite a long-standing fatwa and a $3 million bounty on rushdie. The author questions the attacker, Hadi Matar, and compares the incident to other alleged staged events involving Ricky Gervais, Dave Chappelle, and Will Smith. The article critiques photos of Hassan Nasrallah, Ali Khamenei, and Qassem Soleimani, suggesting they are doctored and that Soleimani’s alleged assassination by Trump was also staged. The Chautauqua Institution itself is analyzed, with its founder, Lewis Miller, linked to Jewish families and the institution presented as a historical propaganda tool. rushdie’s background is scrutinized, suggesting Jewish heritage and a name change. rushdie’s book The Satanic Verses is described as deliberately obnoxious. The article also criticizes organizations like Zerohedge, Gatestone Institute, Giulio Meotti, Ayaan Hirsi Ali, Theo van Gogh, and Neil Campbell Ferguson, linking them to propaganda efforts, often with alleged CIA or Jewish neocon connections. The author believes the rushdie stabbing narrative, similar to previous events, is a manufactured deception.

Specific entities mentioned: