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The author, Miles Mathis, begins by thanking his supporters for recent donations and noting the continued growth of his website despite a market contraction. He provides a mailing address in Garden Valley, CA for those who wish to send contributions. Mathis then critiques the mainstream media for hiding important news and replacing it with manufactured narratives.
He highlights two significant hidden stories:
- The U.S. Congress defunding Peter Daszak and EcoHealth Alliance, permanently revoking Daszak’s public funding due to fraud. This news, he claims, was buried by the mainstream.
- A 9th Circuit Court of Appeals ruling that Covid vaccines are not vaccines. Mathis asserts that the CDC admitted these injections confer no immunity and only mitigate symptoms, making them treatments, not vaccines. He argues this was a deliberate mislabeling to secure legal immunity for drug companies and gain public trust, a fact reported by alternative outlets like Zerohedge and Infowars but ignored by mainstream news. He suggests Pfizer didn’t need to bribe judges because they already control the media.
The author then discusses Alex Jones, claiming he plans to sell Infowars to pay Sandy Hook parents, which Mathis dismisses as illogical and staged. He believes Infowars would be worthless without Jones, comparing it to “The Joy of Painting” without Bob Ross. Mathis posits that the entire Sandy Hook situation is fabricated, likening it to Peter Pan or Winnie the Pooh, and expresses concern that Langley might create a GoFundMe for Jones to feign payment. He connects this to the Trump trial, suggesting it, like the Sandy Hook case, is manufactured for chaos.
Regarding the Trump trial, Mathis points to Judge Merchan raising questions about jury misconduct and a potential mistrial as further evidence of the trial being staged, calling it “vaudeville.” He argues a judge would not normally publicize such claims if the trial were legitimate. He notes that the mainstream media is reporting this aspect extensively, which, for him, signifies its falsity.
Mathis then shifts to the alleged freeing of hostage Noa Argamani by Israeli troops. He heavily questions the authenticity of the event, scrutinizing photos of Argamani and her alleged mother, Liora Argamani, and suggesting inconsistencies in their appearance and identities, even questioning her mother’s identity as Li Chunhong and her supposed Chinese heritage. He links the Argamani family to Yaakov Argamani, formerly of the Israeli Defense Forces and Israel Aerospace Industries, and an Israeli settlement named Argaman in the West Bank. He also points to Nadav Argaman, head of Shin Bet, as a suspicious connection. Mathis claims the entire hostage situation, including Hamas’s claims of casualties, is staged theater designed to maintain high military expenditures, funnel taxpayer money to Israel, and distract from issues like the “vaccine genocide.”
An update states that Argamani and three male hostages were allegedly held by an Al-Jazeera journalist who was killed with his family during the rescue. Mathis asserts Al-Jazeera is a CIA front, akin to Radio Free Europe, and that many organizations in the Middle East, including Hamas, ISIS, plo, and Hezbollah, are controlled opposition.
A further update on June 10 connects the alleged journalist, Al Jamel, to The Palestine Chronicle, based in Washington state. Mathis notes that the website’s board of directors was scrubbed before he could access it, but he found Ramzy Baroud as president and John Harvey as treasurer. Harvey is also linked to the Rachel Corrie Foundation, which Mathis suggests is another Jewish front based on a faked event. He questions the disappearance of Rachel Corrie’s information from search results and finds it suspicious that her father, Craig Corrie, does not list her among his relatives in online searches. He then provides a lengthy biography of Ramzy Baroud, highlighting his roles at Palestine Chronicle, Middle East Eye, The Brunei Times, and Al Jazeera. Mathis concludes that The Palestine Chronicle is a significant entity, linking Al Jamel to a “controlled op” in Palestine designed to keep the region unstable and serve the military-industrial complex. He speculates Craig Corrie may be retired military or a contractor for companies like Raytheon or Rand. Mathis reiterates his belief that the widely reported incident of Rachel Corrie being run over by a bulldozer was staged, citing the lack of severe injury in the footage and the absence of any trial for the bulldozer driver. He points out that Yasser Arafat named a street after her in the West Bank, which he finds suspicious given her parents’ lawsuit in Haifa and the outcome.
The author notes Al-Jazeera originates from Doha, Qatar, which he claims is a UK puppet state. He asserts that Middle Eastern countries are US puppets, particularly Qatar, run by the Al Thani family, whom he alleges are “cloaked Jews pretending to be Arabs.” He highlights Moza bint Nasser, the Sheik’s wife, and suggests her name is derived from Moses, indicating they are “hiding in plain sight.”
A footnote mentions that Bing’s AI Copilot had no information after 2021.
A late-breaking addition on June 11 reports that Alex Jones is still making defamatory statements, calling George Clooney CIA and an “Epstein-like character.” Mathis reiterates that Jones’s behavior proves the trials are fake, as someone facing significant financial ruin would not act so casually. He believes most people in Hollywood are CIA agents, as Hollywood has always been a CIA subsidiary, and extends this to Jones himself, arguing that if the stories about him were true, he would show more stress.