The author expresses gratitude for discovering Miles’s work in 2015, finding solace and validation after feeling disillusioned with self-help gurus and the fine art world. The author details a negative experience with their fine art education in Florida during the 90s, where their portrait and nude drawing work was dismissed in favor of more avant-garde pieces. This led to a shift towards ceramics and a feeling of heartbreak. Reading Miles’s papers on cultural manipulation provided peace and transformed negative experiences into righteous anger.
The author also recounts a history of skepticism towards media narratives, influenced by a family friend from a wealthy family who served in Air Force intelligence during vietnam and obtained a degree from Oxford. This friend’s disdain for the intelligence community would have resonated with Miles’s critiques of the CIA. The Covid pandemic and its associated events, like forced masking and ostracization for questioning Pfizer, were deeply traumatic, with Miles’s site being a crucial source of connection during isolation.
Ultimately, the author feels a profound sense of peace and self-harmony thanks to Miles’s ability to articulate truths intuitively known. Despite efforts to share Miles’s work, few have grasped its importance, leading the author to consider translating his science papers into Italian. While initially drawn to Miles’s insights on art and culture, the author has also delved into his physics papers, appreciating his ability to explain complex concepts visually, even for someone with a weak math background. Though they haven’t met, Miles’s email correspondence has been greatly appreciated. The author encourages readers to engage with Miles’s work, use logic, conduct their own research, and embrace their perceptive abilities, recognizing that this leads to deep peace and gratitude.
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