This article by Miles Mathis claims that the assassination of Malcolm X was staged, and that he was an FBI actor whose death was faked. Mathis argues that photographic evidence of Malcolm X’s death is inconsistent and fabricated, pointing to a lack of blood and differing wounds in various images. He also questions the presence and identities of individuals in the photographs, particularly Yuri Kochiyama, suggesting she was part of intelligence communities. Mathis further alleges that the Audubon Ballroom, the site of the alleged assassination, was owned by an Ashkenazi synagogue that was involved in other suspicious events. He also disputes the credibility of official documents, such as the medical report, and connects Malcolm X to historical figures like William Faulkner through genealogical and professional links, implying a shared involvement in staged events. The article also delves into the case of Willie McGee, arguing it was a “Hollywood show trial” designed to create fear and racial division, with many involved being government agents. Mathis asserts that numerous historical events, including executions and mass shootings, are faked by the government to manipulate the public.
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The author, Miles Mathis, claims the assassination of Malcolm X (allegedly born Malcolm K. Little) was staged. He suggests Malcolm X was an FBI actor and his death was faked. Mathis analyzes photographs of the event, pointing out inconsistencies such as lack of blood from alleged shotgun wounds, and differing depictions of the scene and attendees. He specifically highlights Yuri Kochiyama (née Nakahara), describing her as Japanese, from San Pedro, CA, and connected to “Intelligence communities.” He also mentions Sharon Tate and other “spooks.” Mathis connects Yuri Kochiyama to Mumia Abu-Jamal and Assata Shakur (real name Joanne Byron), who he claims was convicted of murdering a cop in 1977 and fled to cuba, which he argues is “owned by us.”
The location of the alleged assassination is the Audubon Ballroom in New York. Mathis states it was purchased in 1950 by Congregation Emes Wozedek, an Ashkenazi synagogue, which is now part of the Mt. Sinai Jewish Center. He also notes that in 1974, the synagogue’s leader, Rabbi Max Koppel, was allegedly killed, implying this was another faked event. Mathis criticizes the ballroom’s capacity (seating 200) against the alleged attendance of 400 people. He also questions a casket photo and an early mugshot of Malcolm X, claiming it doesn’t resemble him and has been tampered with.
Mathis also discusses a photo of Malcolm X with Castro, whom he calls a “fellow actor from the CIA theatrical division.” He analyzes a CBS medical report from 2015 regarding Malcolm X’s death, pointing out discrepancies in timing and content. He suggests that Malcolm X’s name Shabazz means “royal falcon” in Persian and links it to William Faulkner and the Gulf and Chicago Railroad Company. He mentions that one of Malcolm X’s alleged assassins was named Butler, and that this name is also tied to the Willie McGee event.
Mathis describes William Faulkner as a novelist and scriptwriter for Hollywood, linking him to George Washington through names like Dean, Swift, Murrray, and Ball. He reiterates that Malcolm X was a Norton and also a Ball, suggesting they were close relatives. He questions Faulkner’s military service, claiming he was too tall for WWI army recruitment at 5’5½” but allegedly joined the British Army in Toronto and the British Flying Corps. Faulkner’s best man was Andrew Kuhn, who was Jewish. Faulkner married Estelle Oldham, whose family lines include Adams, weidner, Mossman, Rhodes, Egertons, clarke, Dowlings, and Walkers. The Walkers are linked to the Bushes, specifically George Walker Bush. Faulkner worked in Hollywood in the 30s and 40s with Howard Hawks, mentioning films like Gunga Din and Battle Cry. Mathis mentions Hawks’s connections to Robert I of France, Charlemagne, and William Stoughton, chief judge in Salem.
Mathis scrutinizes more photos of the assassination scene, pointing out apparent alterations and pasted elements, including a figure with a short, drawn-in coat sleeve. He criticizes Karl Evanzz, author of a book on kennedysandking.com, for promoting the idea that COINTELPRO operatives killed Malcolm X, and argues that the undercover NYPD detective Gene Robert was a pasted-in figure in a photograph.
The article identifies Thomas Hagan, also known as Talmadge Hayer, as the lead assassin among three convicted. Mathis notes the name inconsistency and the lack of a prior bio for Hagan/Hayer. He points out that Intelius and InstantCheckmate have no record of a Thomas Hagan of New York, age 78, despite his alleged imprisonment for 44 years. He similarly notes the absence of a record for Malcolm Little of Nebraska. Mathis also mentions Peter Louis Goldman, Jewish Senior Editor of Newsweek (described as a CIA front), as the author of a book on Malcolm X.
The burial site of Malcolm X is stated to be Ferncliffe Cemetery in Hartsdale, NY. Mathis questions this, noting no admitted connections to Hartsdale, Greensburgh, or Westchester County for Malcolm X or his wife. He lists other celebrities buried there, including Nelson Rockefeller, John Lennon, Christopher Reeve, Jim Henson, Madame Chiang Kai-Shek (born Soong Mei-ling), Thelonious Monk, Cab Calloway, Yul Brynner, Joan Crawford, Ed Sullivan, and Oscar Hammerstein. Mathis claims Nelson Rockefeller faked his death twice and discusses John Lennon’s supposed faked death. He delves into Thelonious Monk’s background, mentioning his real surname Sphere, his foster mother Pannonica Rothschild, daughter of Charles Rothschild and Baroness von Wertheimstein. Pannonica worked for De Gaulle during WWII, and Monk lived in her mansion in Weehawken.
Mathis questions Jim Henson’s death from the flu at 53, noting the suspicious presence of his estranged wife and the changing story from flu to pneumonia, with coughing up blood. He scrutinizes Madame Chiang Kai-Shek’s background, her father Charles Soong (also known as [[Charles Jones Soon)), his work for the US Coast Guard, studies at Vanderbilt and Duke universities, and his sponsor Julian Shakespeare Carr (Bull Durham tobacco). Carr’s mother was a Bullock, and his wife was Nannie Graham Parrish, descended from the Parrishes of Salem and the Grahams. Carr was a founder of Duke University and allegedly funded the infiltration of China.
Mathis mentions Charlie Soong’s other daughter, Soong Ai-ling, who married H. H. Kung, a banker and the richest man in China. Kung was Premier of China and Vice Premier, and ran his own secret service. He moved to the US in 1949 and died in Locust Valley, NY. Mei-ling attended Kent Place Prep School in New Jersey, Wesleyan in Georgia, and Wellesley. She married Chiang in 1927 and lived in Lattingtown, NY (Oyster Bay) before her death in 2003 at 105. Mathis suggests her burial at Ferncliff is strange, linking her to Lennon and Rockefeller.
The article examines the bio of Malcolm X’s wife, Betty Sanders Shabazz. She claimed to be from Detroit but had no birth certificate, with other paperwork indicating she was from Pinehurst, Georgia. Mathis speculates a link to the Soong sisters who also spent time in Georgia. He notes Betty attended college in 1952, unusual for a black woman at the time, and that her education at Tuskagee University in Alabama and UMass in Amherst, MA is not confirmed by Intelius and InstantCheckmate, which list Columbia Business School, Upsala, and Howard. Betty moved into a house in Mount Vernon previously occupied by Congresswoman Bella Abzug. Mathis suggests Sidney Poitier’s wife started a fund for Betty, but calls Poitier an “Oreo-cookie agent.”
Bella Abzug (real name Savitzky) is described as rich and Jewish, with ties to Columbia University and the Jewish Theological Seminary. She was involved in the Willie McGee case, which Mathis asserts was fake. McGee’s wife was a patton. Alex Heard discovered McGee had a second wife, Rosetta Saffold, who moved to New York and was linked to the Civil Rights Congress (CRC), described as a Communist, FBI, or CIA front. Mathis lists the Saffolds as a prominent name in Alabama, related to Phillips, Carters, Oates, Butlers, Walkers, Fitzgeralds, Beresfords, Dunnes, Graham-Clarkes, Percys, Barretts, Miltons, Wests, Gossets (mentioning Louis Gosset, Jr., Websters, and Pagets). He notes Shirley Paget, Marchioness of Anglesey, attended Kent Place Prep School with Mei-ling. The Oates are linked to General William Calvin Oates, Governor of Alabama. The Phillips are descended from the founders of Virginia, linked to the Phillips of East India Company. Mathis argues that Phoenicians use their “part-black cousins” in “pretend racial stageplays.”
Mathis details the Willie McGee trials, noting a strange prepared speech by Judge Burkitt Collins, who also signed Malcolm X’s fake medical report. He criticizes the conflicting plea of not guilty with an alleged confession and the handling of evidence. William Faulkner, Einstein, Jessica Mitford, and Josephine Baker are mentioned as pleading for clemency for McGee. Mathis questions Faulkner’s involvement and Mitford’s family’s alleged friendship with Hitler and support for British fascism.
The victim in the McGee case is identified as Willette Hawkins (née Darnell), who had an 18-month-old child. Her husband was Troy Clinton Hawkins, and her parents were William Jennings Darnell and Drucilla Garner. Her step-mother was Woicinski or Wonsky, also Ulatowskis from Poland. One Woicinski married Charles Baumberger, owner of “The Quarry” in San Antonio. The Garners were related to Copelands, Owens, Keyes, Clarks, and Walkers. Nancy Copeland Garner’s lineage is traced back to South Carolina and North Carolina. The Owens are linked to Cowan (Cohen).
The Darnells are related to actress Linda Darnell (real name Monetta Eloyse Darnell). Eloyse is a variant of Aloysius. She married prominent Jews in Hollywood, including Peverell Marley and Philip Liebmann. Linda Darnell was active in the 1940s, coinciding with the McGee trial in 1945. The Darnells trace back to Virginia and are related to the Montagues and George Washington. Troy Clinton Hawkins’s father is scrubbed from records, but through his mother, he is linked to Lafayette.
Mathis questions the jury’s decision to find McGee guilty and sentence him to the electric chair, arguing against the death penalty for rape in Mississippi in 1945, especially its application to blacks but not whites. He criticizes the grounds for appeal and the jury’s composition. He believes that the McGee trial was fake, as were many other executions, including that of Timothy McVeigh. Mathis asserts that hundreds of executions for rape between 1930 and 1972 were faked, and that more than 455 faked deaths occur annually, citing the 2018 mass shootings as an example. He suggests that black communities were not revolting because no real people were executed, and that relatives of the executed were hired actors or not missing kin.
Mathis discusses the third trial for McGee, ordered because of the lack of black jurors in the first two. He notes that McGee and his attorney changed their story to admit an affair, calling the attorney a “moron.” The Civil Rights Congress is described as an FBI or CIA front organization created for chaos, founded in 1946, the “year one of the CIA”. Its founder is identified as William Patterson, who came out of the Communist Party USA, deemed a “huge RED flag.” Patterson’s background includes working as a laborer and being expelled from the University of California, Berkeley for refusing military training. He also worked on the Sacco and Vanzetti case, which Mathis calls fake. Hawkins filed a defamation lawsuit against Bella Abzug and The Daily Worker, which Mathis interprets as an attempt to “blackwash the Communists” and isolate black communities.
Mathis mentions the penalty of death for rape being cruel and unusual punishment, later outlawed in Coker v. Georgia. He concludes that the Willie McGee trial, like most events in the 20th century, was an Hollywood production staged to create fear and confusion.