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The provided text, “Yes, Margaret, the War in Israel is Fake” by Miles Mathis, argues that the war in Israel is a manufactured event. The author claims that Hamas is a fabricated organization created by Mossad to serve as a front for the Israeli army. The text presents various alleged proofs of this fakery, including questionable photographic and video evidence, inconsistencies in witness testimonies, and perceived CGI manipulation in media reports. The author also details his experiences with search engine censorship, suggesting that Google, Bing, and other platforms actively suppress his work. The article suggests that the entire conflict is a “Jewish theater” and a “Hollywood production” designed for profit and control, with key figures and organizations involved in perpetuating the narrative. The author further speculates on the potential motives behind such a fabrication, including political gain and the manipulation of public opinion. The text concludes by stating that the perceived deception is part of a larger pattern of historical manipulation.

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The text, “Yes, Margaret, the War in Israel is Fake” by Miles Mathis, asserts that the current conflict in Israel is an elaborate fabrication. The author claims Hamas is a false entity created by Mossad to act as a proxy for the Israeli military, labeling the situation “Jewish theater” and a “Hollywood production.” Mathis provides alleged evidence of fakery, pointing to questionable images, videos, and inconsistencies in accounts, suggesting the use of cgi in media portrayals. He also describes his own struggles with search engine censorship, notably from Google and Bing, which he believes are used to suppress his controversial views. The article posits that this fabricated event serves purposes of profit and control, with various individuals and entities collaborating to maintain the deceptive narrative. Mathis views this alleged deception as consistent with a long-standing pattern of historical manipulation by a shadowy group he refers to as the “Phoenician Navy.” He also criticizes the perceived lack of critical thinking from mainstream media and political figures, including Donald Trump, Lara Logan, aoc, Alex Jones, and Bill Maher, who he claims are complicit in promoting the false narrative. The author further speculates on the involvement of Chapman University and its ties to Hollywood and the Pentagon. The text also delves into the alleged connections between the Zedeck family and the conflict, suggesting a link between a reporter for i24News and the entertainment industry. Finally, Mathis reflects on the pressure to conform to the mainstream narrative, even for those who might suspect fakery, citing the case of Josh Guetzkow as an example of an individual succumbing to this pressure. The author also questions the financial motivations behind US funding for Israel’s military operations.

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