This text argues that the story of John Wayne Gacy, the “killer clown,” is a fabricated “Intelligence script” designed to incite fear, divide sexes, and foster suspicion of neighbors. The author, David Kasady, points to numerological markers like the number 33 and 18 months of jail time as evidence of fakery. He suggests that Gacy’s supposed first victim, Donald Vorhees, and his father, Don Vorhees Sr., a Congressman from Iowa, have suspicious connections to various “projects” and elite circles, including the Jaycees (Junior Chamber). The author claims the Jaycees are a front for “spook feeder club” activities, including wife-swapping and drug use, and that elite gay individuals “mentor” younger ones.

The text further delves into Gacy’s alleged family tree, claiming connections to British peerage families, including Stanleys, Stewarts, and Woolseys, and suggests gacy had Jewish ancestry through names like Gates and Katz (Cohen). It also questions the logistics of Gacy’s alleged crimes, particularly how his wife Carole Hoff, and stepdaughters could have been unaware of the murders and decomposing bodies. The author also analyzes the alleged victim Robert Piest, linking his surname to Nazi businessman Fritz Gajewski and pharmaceutical corporations. Another victim, William George Bundy, is presented as a possible relative of CIA figures William Bundy and McGeorge Bundy.

The author also scrutinizes Gacy’s defense attorneys, Gregory Adamski and Karen Conti, suggesting their Polish-Ashkenazi names are significant and linking Gregory Adamski to UFO contactee George Adamski. The text questions the authenticity of Gacy’s mugshots and crime scene investigation photos, calling them staged. Finally, the author speculates that Gacy actually died in 2011, not 1994, based on conflicting online records. The clown persona is interpreted as a symbol connecting to hidden elites and the ancient roles of priests and clowns, which the author asserts are often held by Jews/Phoenicians, citing figures like Joseph Grimaldi and Bozo the Clown as examples. The clown is presented as the “trickster” archetype, representing chaos, contrasting with the priestly role of order, suggesting Gacy was an agent of “Operation Chaos.”

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