The author, Miles Mathis, argues that hospitals, driven by profit and a hidden agenda, engage in unethical practices with newborn blood, including storing and potentially selling it. He criticizes the common practice of drawing blood from newborns, claiming the stated reason of disease screening is a pretext for a more sinister motive. Mathis describes the procedure as surreptitious and painful, involving slicing the baby’s foot. He contrasts this with the supposed dangers of home births, which he believes are exaggerated by the medical industry to ensure hospital revenue. He recounts an instance where a friend’s wife experienced complications at a Taos hospital, requiring transport to Albuquerque, to illustrate that hospitals offer no guaranteed safety. Mathis advocates for a complete disconnection from government and institutional America, including hospitals, suggesting an “Amish” lifestyle as an alternative to becoming a “pathetic zombie.” He then delves into a discussion of the film Only Lovers Left Alive, alleging it confirms his theories about vampires obtaining blood from hospitals to avoid poisoned blood, which he links to vaccines. He further speculates on the film’s connections to Christopher Marlowe, Shakespeare, and conspiracy theories about the North Pole, while also critiquing the film’s misinterpretations of Einstein and Tesla. Mathis also criticizes the actors Hiddleston and Tilda Swinton, their alleged backgrounds, and the film’s critical reception and financial performance, as well as their portrayal of music and vinyl records.

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