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The article, written by Miles Mathis on March 31, 2022, argues that Blue Origin’s rocket launches, particularly those involving Jeff Bezos, are a massive fake, primarily relying on cgi to deceive the public. Mathis claims that a key indicator of fakery is the booster rocket landing backwards, which he states is physically impossible for a rocket not designed to fly in that manner. He suggests that anyone with knowledge of physics would recognize this impossibility. The author encourages readers to examine the footage, pointing to specific “problems” such as the apparent lack of movement from individuals inside the capsule, a dummy in the window, and fogged windows that obscure the view.
Mathis also scrutinizes the identities of passengers, suggesting that Oliver Daemen, chosen by lot and whose father paid millions for a seat, was a symbolic marker with the name implying “Demon.” He further speculates about Mary Wallace Funk, a passenger, suggesting her name and family connections (including mentions of wallace family, Stuarts, Douglases, Campbells, George Wallace, William Wallace, and Mel Gibson) are clues to her involvement and potential relation to Bezos (real name Jeffrey Preston Jorgensen), who he identifies as Jewish. He also points to Funk being a Jewish name and her father, Lozier Ray Funk, having connections to Normal University and being a freemason.
The author delves into the physics of the booster landing, questioning the lack of a rocket plume during its descent, the absence of heating on the forward edge, and the inadequacy of a single parachute to handle the alleged speed and altitude. He highlights the impracticality of simple scoop-like brakes and the challenges posed by crosswinds in West Texas, where the landing supposedly occurred. Mathis criticizes the visual continuity errors and the late deployment of landing gear in the footage. He also draws parallels to alleged faked Apollo missions, specifically mentioning Ralph Rene and the moon landing problem of maintaining stability during lunar module landings.
Mathis extends his accusations of fakery to Elon Musk and Space-X, asserting they use similar cgi techniques and reversed rockets. He posits that Bezos’s alleged billion-dollar annual spending is likely underwritten by the Pentagon to support future NASA fakes, including Blue Origin’s Blue Moon lander and NASA’s Artemis Project, which he claims has already cost taxdollars and is designed to stage a fake Moon landing by 2030.
An addendum from April 15, 2025, notes a supposed worsening of cgi in recent Blue Origin flights, mentioning Katy Perry as one of the passengers. He criticizes the rocket’s ascent and the backward landing of the booster. He also questions the apparent size of the zero-gravity float space within the capsule and the timing of the ascent versus descent, arguing that the physics of gravity and freefall are not accurately represented.
Finally, Mathis criticizes media figures like Alex Jones and Mike Adams for not identifying these fakes, suggesting they may be in league with Elon Musk. He claims to have “scooped” Alex Jones on the Blue Origin fake, forcing him to address it. Mathis observes that the narrative is being framed as Musk versus Bezos, with Bezos being attacked while Musk is excused, despite both allegedly using similar deception methods. He concludes by stating that while such fraud is concerning, it is less harmful than the Pfizer Covid and vaccine narrative.