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anthropoid

6 min read

Operation Anthropoid is presented by the author, Miles Mathis, as a complete fabrication and propaganda campaign by British Intelligence. Mathis argues that the operation, named “Anthropoid,” which refers to ape-like resemblances, is inherently a joke. He claims that the target, Reinhard Heydrich, was from a wealthy arts family and possibly of Jewish descent, citing his background and family connections to Jewish individuals and artistic institutions in Dresden. Mathis questions Heydrich’s rapid rise in the Nazi Party and the SS, suggesting his dismissal from the German Navy and subsequent appointment to head intelligence services were fabricated.

The author further contends that the assassins, Jan Kubis and Jozef Gabcik, were fictional characters whose photographic evidence is doctored. He points to supposed inconsistencies in their backgrounds, training in Scotland by the SOE, and the implausibility of their mission details, such as jammed weapons and the use of bicycles for escape. Mathis also critiques the narrative of Heydrich’s assassination and subsequent death from sepsis, drawing parallels to other alleged fake presidential assassinations.

The text then discusses the Church of Saints Cyril and Methodius in Prague, where the assassins were supposedly cornered, and connects the names Cyril and Methodius to ancient Phoenicia and the Byzantine Empire, implying a hidden lineage. Mathis also links the origin of Methodism to John Wesley and Phoenician influence.

The author criticizes the films made about Operation Anthropoid, specifically “anthropoid” (2016) and “The Man with the Iron Heart” (2017), for glossing over inconsistencies and promoting propaganda, despite their poor box office performance. He suggests that positive ratings on Rotten Tomatoes may be bought or inflated.

Finally, Mathis casts doubt on the Lidice massacre, calling it fake and citing questionable photographic evidence and inconsistent casualty numbers. He also points to the films “The Silent Village” and “Hitler’s Madman” as American and British propaganda, respectively, and suggests a connection between director Douglas Sirk (Hans Detlef Sierck) and Heydrich through shared family names and ethnic backgrounds. The author concludes that the rebuilding of Lidice and charitable funds raised for it were also part of a hoax, benefiting entities like Goldman Sachs, Blackrock, and the CIA.

Summary with marked entities:

Operation anthropoid is presented by the author, Miles Mathis, as a complete fabrication and propaganda campaign by British Intelligence. Mathis argues that the operation, named “anthropoid”, which refers to ape-like resemblances, is inherently a joke. He claims that the target, Reinhard Heydrich, was from a wealthy arts family and possibly of Jewish descent, citing his background and family connections to Jewish individuals and artistic institutions in Dresden. Mathis questions Heydrich’s rapid rise in the Nazi Party and the SS, suggesting his dismissal from the German Navy and subsequent appointment to head intelligence services were fabricated.

The author further contends that the assassins, Jan Kubis and Jozef Gabcik, were fictional characters whose photographic evidence is doctored. He points to supposed inconsistencies in their backgrounds, training in Scotland by the SOE, and the implausibility of their mission details, such as jammed weapons and the use of bicycles for escape. Mathis also critiques the narrative of Heydrich’s assassination and subsequent death from sepsis, drawing parallels to other alleged fake presidential assassinations like Kennedy and Garfield, McKinley.

The text then discusses the Church of Saints Cyril and Methodius in Prague, where the assassins were supposedly cornered, and connects the names Cyril and Methodius to ancient Phoenicia and the Byzantine Empire, implying a hidden lineage. Mathis also links the origin of Methodism to John Wesley and Phoenician influence, referencing Bishop of Tyre, Constantinople, and Prague.

The author criticizes the films made about Operation anthropoid, specifically “anthropoid” (2016) with Cillian Murphy and Detlef Bothe, and “The Man with the Iron Heart” (2017) produced by Weinstein and starring Rosamund Pike and Mia Wasikowska, for glossing over inconsistencies and promoting propaganda, despite their poor box office performance. He suggests that positive ratings on Rotten Tomatoes may be bought or inflated, possibly by the Pentagon.

Finally, Mathis casts doubt on the Lidice massacre, calling it fake and citing questionable photographic evidence and inconsistent casualty numbers. He also points to the films “The Silent Village” and “Hitler’s Madman” as American and British propaganda, respectively, directed by Humphrey Jennings and Douglas Sirk (Hans Detlef Sierck), and suggests a connection between Sirk and Heydrich through shared family names and ethnic backgrounds. Sirk’s wife, Hildegard Kroener (Hilde Jary), and her former husband, Jaruslawsky, are mentioned. Mathis also notes the involvement of artist Ben Shahn in Lidice propaganda. The author concludes that the rebuilding of Lidice and charitable funds raised for it were also part of a hoax, benefiting entities like Goldman Sachs, Blackrock, and the CIA. The alleged hiding of assassins in a church and the betrayal by Karel Curda for one million Reichsmarks are also presented as fabricated elements.

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