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This text, written by Miles Mathis and first published on September 24, 2021, argues that the book “The Minds of Billy Milligan” by Daniel Keyes, published in 1981, is fictional and part of a broader disinformation campaign. The author contends that Billy Milligan, whose real name was William Stanley Morrison, was not a genuine multiple-personality case but a fabricated one. Mathis highlights symbolic details in Morrison’s name and birthdate (Valentine’s Day) and links his family to the British peerage through names like Stanley, Morrison, Dorothy Sands, George Winthrop Sands, Harriman, Vanderbilt, Balthaser, Clinton, Hoffman, and Robert Emerson Sands. The text also claims Morrison’s parents were a Rat Pack-era act, and his mother later worked for Dupont.
The author asserts that Morrison’s story, involving alleged rapes and an insanity plea due to schizophrenia and multiple personalities, was a hoax. The creation of the alter ego “Adalana” is presented as a deliberate, albeit transparent, manipulation. Mathis criticizes the media’s continued promotion of the Billy Milligan story, citing recent CIA-front Netflix series “Monsters Inside: the 24 Faces of Billy Milligan” and an upcoming Apple-TV series, “The Crowded Room,” starring Tom Holland.
The article draws parallels to the similarly alleged hoax surrounding “Sybil,” a 1973 book by Flora Schreiber based on the supposed case of Shirley Mason, treated by Cornelia Wilbur. Mathis claims both Wilbur and Schreiber were involved in fabricating these stories, with Wilbur later consulting on the Billy Milligan case. He suggests Schreiber was a “spook author” who also wrote about the fake serial killer Joseph Kallinger (real name Joseph Lee Brenner III), whose family ties to the British peerage are also explored. The article posits that these stories, promoted by Hollywood figures like James Cameron, Joel Schumacher, David Fincher, and Leo DiCaprio, are part of a larger agenda to promote the idea that “Men are Pigs” and to push a narrative of enhanced intelligence.
The author questions Daniel Keyes’s credibility, suggesting his famous work “Flowers for Algernon” is also suspect, particularly given Keyes’s alleged Jewish background and Navy service, and his supposed lack of formal psychoanalysis study, despite claiming to base the story on such experiences. The promotion of “Flowers for Algernon” by US Steel’s CBS show and its star Cliff Robertson, who is linked to the British peerage through his ancestry, is also scrutinized. Cliff Robertson’s alleged connection to Phoenicians and the symbolism of the “Phoenix” are highlighted.
Mathis speculates that the CIA is interested in the theme of artificially enhancing intelligence due to a perceived Jewish obsession with this and lifespan extension. He suggests this is an attempt by “Phoenicians” to compensate for perceived inferiority complexes. The author concludes that these projects have backfired, leading to a decline in intellectual quality, citing the decline of physics and the replacement of NASA by SpaceX. The article ends with a dismissal of algernon’s story as not worth mourning.