This article, “Goodbye Willy Wonka” by Miles Mathis, argues that the recent rewriting of Roald Dahl’s books by his publisher, Puffin, is a symptom of a larger societal control by intelligence agencies. The author believes that Netflix, which now owns the Roald Dahl catalog, is a CIA front and that this action is a way for British Intelligence to reclaim ownership of Dahl’s work. Mathis asserts that rewriting published works is illegal and immoral, likening it to Orwellianism. He criticizes the lack of family objection and suggests legal action by institutions like the Library of Congress or governments. The author calls for a boycott of Netflix, Penguin Random House, and Bertelsmann, claiming Bertelsmann has a history of “whitewashing” and a significant Jewish ownership, which he links to a broader Jewish control over media and publishing. He details Bertelsmann’s acquisitions, including UFA, RCA records, and numerous publishing imprints, suggesting this consolidation leads to the decline in book quality. Mathis extends this critique to the entire media landscape, listing major companies like Disney, Comcast, Sony, NewsCorp, TimeWarner, and National Amusements as being under Jewish control, with the exception of Sony, which he also questions. He delves into the origins of Sony and its founder Akio Morita, suggesting hidden Phoenician and Jewish connections. The article concludes with advice for readers to seek out used books from independent sellers and libraries, and to boycott chain stores. Mathis also urges readers to monitor the reactions of other writers and organizations like PEN, expressing skepticism about their independence. He mentions Keith Olbermann, Don Lemon, Jeffrey Sachs, and Jonathan Friedman in passing, criticizing their views and perceived affiliations.