This text argues that the musical act Bob Vylan, who is presented as supporting Hamas and making controversial statements at the Glastonbury Music Festival, is actually a fabricated persona created by MI6 or CIA agents to incite race and religion wars. The author claims this is a form of “gaslighting and wagging the dog” to distract from the “billionaire crooks running the world,” referred to as the Phoenician Navy. The author points to Vylan’s real name, Pascal Robinson-Foster, and his alleged connections to the Robinson family, Barons of Rosmead, and their association with individuals like Richard Dawkins and Maj. Gen. Sir Charles Dawkins, as evidence of a manufactured identity. Similarly, the author alleges that Mo Chara, the vocalist of Kneecap (whose real name is Liam O’Hannaidh), is also part of this scheme, with Kneecap being labeled an MI6 front band designed to reignite sectarian conflict in Northern Ireland.
The text further claims that the Glastonbury Festival itself has been a “spook production” since its inception in 1970, with co-founders including Arabella Churchill (granddaughter of Winston) and the Kerrs and Irons families. The Giza Pyramid stage is cited as evidence of Ministry of Defense involvement. David Bowie and the family (members Chapman, Townsend, Whitney, and King) are also mentioned as associated with the festival. The author connects the festival to the Campaign for Nuclear Disarmament as a means to legitimize the idea of nuclear weapons. The text criticizes the high cost of the festival and highlights Neil Young’s headlining role in 2025, noting his transition from environmentalist to Pfizer representative and his sale of his music catalog to Blackstone, a subsidiary of Blackrock, who the author believes controls the world and is behind Glastonbury. The author concludes by suggesting that Vylan’s tattoos, including symbols like the “all-seeing-eye” and “Satan,” further support the idea of a sinister agenda. The author posits that these manufactured conflicts are orchestrated by “governors” to prevent a revolution in the US and Europe, by distracting from a supposed “vaccine genocide” and the financial exploitation by the Phoenician Navy and its defense contractors.