ADKO

till

4 min read

This article argues that the lynching of Emmett Till was faked as part of “Operation Chaos” to create racial division and distract from “real criminals.” The author, Miles Mathis, claims to have recognized the propaganda in films like To Kill a Mockingbird, produced by Alan Pakula, who he believes was a CIA director. Mathis critiques the physical evidence of Emmett Till’s death, particularly photographs of the body, suggesting they are staged and inconsistent. He also questions the lack of medical examination and conflicting details in official reports and later investigations.

Mathis delves into the genealogy of Emmett Till’s family, suggesting that many of them, including Mamie Till’s husband Gene Mobley and his relatives, appear to be white, questioning the “blackness” of the story. He also scrutinizes the roles of Carolyn Bryant and Roy Bryant, and J. W. Milam, suggesting they were actors rather than perpetrators. Mathis points to alleged inconsistencies in confessions, lack of legal repercussions, and the unusual circumstances surrounding Louis Till’s alleged execution as further evidence of a hoax. He highlights the suspicious origins and affiliations of figures like Theodore Roosevelt Mason Howard, linking them to organizations with alleged CIA or Masonic ties. The author concludes by questioning the motivations and credibility of individuals involved in publicizing the story, such as Keith Beauchamp and Ed Bradley, labeling them as operatives.

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