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The author, Miles Mathis, asserts that Department of Defense statistics, particularly those concerning United States military vaccination rates, have been manipulated. He claims the reported compliance figures are inflated by overstating the total military force size and by not fully accounting for service members who have received no doses. Mathis estimates that actual double vaccination rates in the military are significantly lower than reported, possibly as low as 50%, and attributes resistance to a lack of trust in a Pfizer-controlled chain of command.
He extends this critique to general vaccination rates in the US and other first-world countries, citing inflated figures from sources like the bbc and outlets in Australia. Mathis contrasts these with lower reported rates in parts of Africa and Haiti, arguing that these regions have suffered less from Covid and experienced fewer vaccine injuries, such as myocarditis and pericarditis. He suggests that powerful figures like Bill Gates and “monsters” are manipulating global affairs, including controlling food supplies and causing famine and disease, rather than focusing on vaccine rollout in Africa.
Mathis speculates about a potential political upheaval in the US, predicting that Joe Biden will not finish his term and that Kamala Harris will die in a “fake plane crash,” leading to Kevin McCarthy becoming President. He also considers the possibility of Donald Trump being named Speaker of the House, but deems it unlikely and unnecessary if McCarthy is elevated. The author views current events as part of a deliberate “script” to increase division, with Trump’s potential return by the end of the year potentially causing “cataclysmic” reactions.
The article then shifts to questioning the authenticity of public figures. Mathis suggests a person presented as Saudi is actually an American actor working for the CIA, with a staged persona and questionable biographical details on Wikipedia.
Mathis criticizes Congress as defunct and controlled by the Pentagon, CIA, and billionaires. He references Robert Reich’s past statements about Congress being an “emeritus group” and claims Congress has been controlled by intelligence agencies since the 1970s, and even earlier, citing his own papers on the Stanleys controlling Parliament since the 1500s. He advocates for disbanding the government entirely, believing it to be a sham managed by powerful actors.
He then scrutinizes the backgrounds of actors Alan Rickman and Kenneth Branagh. Mathis argues Rickman, presented as Welsh and from a working-class background, was actually of Jewish peerage, connected to families like the Lithgows, Maitlands, Farquhars, Murrays, and Drummonds, with links to the Stuarts and East India Company. He suggests Rickman’s mother, a Bartlett, connects him to Lt. Col. Sir Basil Bartlett and Lt. Col. Sir Henry Bartlett, who founded engineering at University College of London and were Freemen of the city of London. Sir Basil Bartlett’s role as head of the bbc’s script department is highlighted.
Regarding Kenneth Branagh, Mathis disputes his narrative of being a poor Irishman from Belfast, suggesting he is Jewish and closely related to Queen Elizabeth. He claims Branagh’s background is “scrubbed” and points to his early performance for the Queen as a clue to his lineage. Through research on thepeerage.com, Mathis hypothesizes Branagh is the grandson of Nikolai Hohenzollern-Sigmaringen, Prince of Romania, who later changed his name to Nikolai Brana. This alleged lineage would make Branagh a cousin of Natalie Wood through the Romanovs and a descendant of Queen Victoria and Alexander II.
Finally, Mathis expresses dismay at the prevalence of pharmaceutical commercials, suggesting the US is a nation of drug addicts and blaming Pfizer and “big Pharma” for being complicit, along with individuals who buy their products. He also touches on the Fentanyl crisis, questioning why people take it and suggesting it is a form of “soft suicide” that enriches “rich murdering families.”