This article, authored by Miles Mathis and first published on November 21, 2020, argues that the Aaron Schaffhausen murders were a fabricated event designed to incite fear and sow division between the sexes, part of a larger “Project Chaos” and “Men-are-Pigs” agenda. Mathis dismisses the official narrative, citing numerous “red flags” and coincidences that he claims point to a manufactured conspiracy.
The author highlights numerological markers, the alleged distant residence of Aaron Schaffhausen from his daughters, and his potential military affiliation with Minot Air Force Base. More significantly, he draws a connection between the Schaffhausen family and the Hinckley family, noting that John Hinckley, who supposedly shot President Reagan, is distantly related to the Schaffhausens through Mary Ann Hinckley who married Robert William Schaffhausen. Mathis further elaborates on the extensive web of connections between John Hinckley and numerous US Presidents, George Washington, Ulysses S. Grant, Rutherford B. Hayes, Warren G. Harding, Franklin D. Roosevelt, Gerald Ford, Calvin Coolidge, Richard Nixon, Howard Taft, and both Presidents Bush, as well as Jodie Foster and Mark David Chapman. He also links the Hinckleys to Abraham Lincoln and Thomas Hinckley, the last Governor of Plymouth Colony.
Mathis asserts that the filming of the Schaffhausen trial, including family members giving scripted speeches, is evidence of a manufactured event, as only “CIA trials” are filmed for propaganda. He criticizes the speeches of Mary Elizabeth Stotz, an alleged aunt, Eryn Schlotte, a cousin, and the grandfather, citing their unnatural composure and overly poetic language as indicators of scripting. He also points to the youngest daughter being named Cia as a deliberate nod to the CIA. The author also scrutinizes the speech of Aaron’s mother, Suzanne Allen, deeming her “cold as ice” and a potential paid actress, noting her “adunc nose” as another supposed “Jewish angle.” The judge’s post-sentencing speech is also questioned.
Further evidence for Mathis’s theory includes photographic analysis of the victims’ images, which he claims are “pastes” and suggest a “Phoenician Navy” theme, referencing alleged symbolism seen in photos from Sandy Hook. He also finds financial restitution orders and court costs in the Schaffhausen case to be suspiciously low and legally inconsistent.
The article then delves into the alleged threats Aaron Schaffhausen made to his ex-wife, questioning why she would allow him unsupervised visits with the children given his prior threats and history of mental illness. Mathis suggests the deletion of the ABCNews story about these threats is further evidence of a cover-up.
Mathis traces the Schaffhausen surname back to Germany and suggests Aaron Schaffhausen is related to Captain Frederick Schaffhausen, a WWII pilot, and the McKenna family, linking them to Terence McKenna, his alleged peerage connections, and ultimately to Charlie Chaplin, Barings Bank, and the Stuarts. He also links the McKennas to prominent Jewish families and ultimately to JFK’s father Joe, Joseph Luce Kemp, and the founders of TIME magazine, Clare Boothe Luce, and John Wilkes Booth.
Another significant connection is made between the Gottschalk-Huntzigers and French General Charles Huntziger, whom Mathis claims was Jewish and faked his death. He notes the Huntzigers’ connection to the French military academy Saint-Cyr, mirroring the purported link between Schaffhausens and St. Cyr in Connecticut and Canada.
The name Stotz, Schaffhausen’s wife’s maiden name, is linked to Max Stotz, a Nazi pilot, and the author claims Stotz is often a Jewish name, connecting to Minnie Driver and Adam Driver.
Mathis also points to an alias, Aaron Cruit-Schaff, found in people searches, suggesting the use of military actors and stock photos to create these fabricated events. He finds it suspicious that only one daughter is listed as a relative in these searches, implying she is considered alive. He also analyzes the extensive travel history of Aaron’s mother, Suzanne T. Allen, and Beverly Schlotte and Timothy Dewley Townsend, linking many of their locations to US military bases. The author also connects Clayton Townsend, a Hollywood producer, to the Townsend family.
The article further examines Aaron Schaffhausen’s sister Kara and her husband Jerome P. Cronin, linking them to Dr. Patrick Cronin and the IRA, which Mathis describes as an MI6 front. He also discusses Judge Howard Cameron, whose career and judicial record are allegedly “memoryholed,” and whose name is associated with another alleged kidnapping plot.
Finally, Mathis concludes that the Schaffhausen case, like others he has analyzed, is a manufactured event intended to create fear and sexual distortion, perpetuated by individuals within military intelligence. He also briefly mentions Jerry Brudos and his connection to J. K. Rowling and Ted Levine as another example of fabricated serial killer narratives.