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This article, “The Christopher Reeve Accident Was Staged” by Miles Mathis, argues that the 1995 accident and subsequent paralysis of Christopher Reeve was faked. The author’s primary evidence is the apparent lack of muscle atrophy in Reeve’s limbs, which he claims would be inevitable for someone paralyzed from the neck down. Mathis also points to a Nuveen Investments Super Bowl commercial from 2000 where Reeve appears to walk, suggesting CGI or staging.

The author further speculates on the motivations behind the alleged hoax, linking it to the promotion of embryonic stem cell research and other “morally questionable” medical procedures. He questions the rapid and “fishy” death of Reeve’s wife, Dana Reeve, shortly after his own, suggesting it was an “out” for her if she was merely playing a role. Mathis delves into extensive genealogical research to demonstrate Reeve’s and his wife’s alleged connections to various “old families,” nobility, and even royalty, implying a grand conspiracy. He highlights Reeve’s prior role in the HBO movie Above Suspicion playing a quadriplegic as a pre-staging clue, and his participation in a remake of Rear Window after the accident as another suspicious event, especially given reports of him speaking without a ventilator.

Mathis criticizes the explanation of Reeve’s exercise regime as insufficient to prevent atrophy and points to perceived physical inconsistencies in Reeve’s appearance. He also discusses Reeve’s alleged career decline, his struggles with hair loss and plastic surgery, and his performance in films like Village of the Damned and Deathtrap as indicators of his declining public image and potential hidden truths.

The article connects Christopher Reeve’s family to numerous prominent lineages, including the Campbells, Murrays, Rutherfords, Lees, Shaws, Wallaces, Douglases, Hamiltons, Jacobs, Chetwynd-Talbots, Scotts, Elwes, Knollys, St. Aubyns, Kirchoffers, Fitzgeralds, Flemings, Herveys, Townshends, Sitwells, Goolds, and Reeves themselves, as well as the d’Oliers, Pitneys, Rands, Lambs, Ripleys, Halsteads, Cranes, Chases, Bowes, and Stuarts. Dana Reeve’s family connections are traced to Morosini, Morrison, Queen, Simpson, Royal Academy of Dramatic Arts, and potentially Arpads and de’ Medicis.

The author links the Christopher Reeve Foundation to the promotion of embryonic stem cell research, citing Peter Wilderotter’s leadership and his past affiliations with Planned Parenthood, NAACP, and New York Public Radio (NYPR). The article suggests NYPR’s privatization and rapid growth were indicative of CIA involvement and funding from “usual suspects.” It also implicates Laura Walker, Tribune Media, Nexstar, ABRY partners, Bain Capital, and Mitt Romney in a broader scheme of wealth concentration and media control.

Mathis argues that the entire stem cell research agenda is a deceptive front for unethical and “monstrous” experiments, drawing parallels to the abortion debate and questioning the morality of using human embryos and animals for research. He critiques the notion of population control through abortion, suggesting alternative methods are suppressed. The author concludes by urging readers to prioritize stopping the medical industry and biolabs, which he deems a greater threat than AI or climate change, and suggests that the pursuit of regenerative medicine stems from a fear of death.

In summary, the article posits that Christopher Reeve’s paralysis was a staged event to promote controversial medical research, supported by his family’s alleged deep connections to powerful and secretive elites, and facilitated by a network of individuals and organizations involved in finance, media, and the medical industry.

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