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olymp

3 min read

The author of the article, Miles Mathis, argues that the Olympics are increasingly staged and manipulated. He cites several instances of athletes seemingly underperforming or acting in ways that suggest a pre-determined outcome, often to favor American athletes or those considered more marketable.

Mathis’s central thesis is that the Olympics are no longer about genuine athletic competition but are a tool for financial gain and social engineering. He suggests that athletes like Femke Bol, Karsten Warholm, and Jakob Ingebrigtsen have been paid to lose or underperform to benefit American competitors like Sydney McLaughlin, Rai Benjamin, and Cole Hocker. He questions the authenticity of video evidence and media narratives, such as a Sports Illustrated piece on Femke Bol, labeling them as part of a disinformation campaign.

A significant portion of the article is dedicated to connecting various athletes and their perceived Jewish heritage, particularly focusing on Kaylee McKeown and the McKeown family. Mathis claims to trace a lineage of Jewish individuals through surnames and historical occupations, suggesting a hidden network influencing sports outcomes. He also touches on the perceived use of performance-enhancing drugs across multiple sports, arguing that the physical transformations seen in athletes are unnatural and driven by a desire for broken world records to boost sales.

Mathis further contends that modern broadcasting technology, including cgi, is used to manipulate sporting events, making them appear real while allowing for subtle alterations to manage outcomes and promote specific athletes. He uses the example of breakdancer Rachael Gunn (Raygun) as a case of undeserving athletes being promoted, linking her to Jewish cultural circles and suggesting it’s part of a broader agenda to create an “equal-access expression fest.”

The article concludes with observations on the perceived artificiality of modern athleticism, the alleged widespread use of performance-enhancing drugs, and a critique of the Olympics as a platform for profit driven by a “New World Order.”

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