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The author, Miles Mathis, argues that the war in Israel and the events in Gaza are staged, claiming that groups like Hamas, PLO, Hezbollah, Isis, and Al Qaeda are fictional entities manufactured by Israeli intelligence and the CIA. He cites a New York Times report suggesting Israel funds Hamas as a point of evidence. The author uses the alleged release of a four-year-old American hostage, Abigail Mor Edan, as a prime example of this staging. He questions the narrative of her parents being killed at the Peace Rave and their alleged 50 days of starvation, pointing out her seemingly unharmed state.
Mathis highlights Abigail Mor Edan’s connection to Elizabeth Hirsch Naftali, an art buyer for Hunter Biden, who was appointed to the US Commission for the Preservation of America’s Heritage Abroad by Biden. He dismisses claims that Abigail received special treatment due to these connections, instead asserting the entire event was a setup where her diplomat family agreed to the narrative. The author questions the details of the alleged kidnapping location and the lack of documentation for her parents’ deaths, Roy Edan and Smadar Edan, identifying Roy Edan as a photojournalist for YNET. He suggests photojournalists at the rave may have been embedded with Hamas and questions why a Jewish photojournalist with ties to Hunter Biden would be in such a position.
The text delves into the wealth and connections of the Naftali family, noting Elizabeth Naftali’s philanthropy and donations to the Democratic party. The author speculates on a possible relation between the Naftalis and former Israeli Prime Minister Naftali Bennett, suggesting this could explain things. He further links Elizabeth Naftali to Hollywood through her father, Stanley Hirsch, a deceased real estate mogul and publisher of the Jewish Journal. Hirsch’s former roles with the Jewish Federation and United Jewish Fund are mentioned, along with his Navy service. The author also connects Elizabeth’s husband, Yehuda Naftali, to the founding of BIG shopping centers.
Mathis labels the US Commission for the Preservation of America’s Heritage Abroad as another CIA front, along with other organizations like missionaries, Peace Corps, UNESCO, USAID, and archaeological groups. He criticizes the alternative press for misinterpreting the release of Abigail Mor Edan, suggesting they focus on alleged special treatment rather than the staged nature of the event. The author points out the commission’s Jewish ties and its formation in response to the Holocaust, calling it a front. He criticizes Star Jones, the current Chair of the commission and former The View host, for her involvement and current role in Divorce Court.
The author then discusses alleged admissions of an Israeli “stand-down” and argues that while some outlets report this, they still maintain the attack was real, presenting two false narratives. He extends this skepticism to tunnels beneath the Gaza hospital, claiming footage is edited and that the tunnels shown are actually Israeli tunnels. He states IDF has miles of tunnels and no proof is offered that these belong to Hamas.
In an addendum from December 11, Mathis criticizes a Tel Aviv fashion show featuring models allegedly involved in the Peace Rave, including Jessica Elter, whose staged wound he finds particularly disturbing in the context of a fake event.
In another addendum from December 12, the author discusses a staged Israeli military video with two versions, attributing the continuity errors to CGI creators. He dismisses interpretations that the video shows the Israeli army humiliating Palestinian men, arguing that if it’s staged, the actions are simply hired performances, not genuine humiliation. He concludes that such staged events are mere theater.