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The author Miles Mathis argues that events like the January 6th Capitol riot and the situation at Guantanamo are fabricated. He criticizes Larry Johnson and The Gateway Pundit for not recognizing 11 as an inside job and for presenting figures like Lt. Colonel Stuart Couch as heroes, whom Mathis claims are crisis actors. The author asserts that Mohamedou Ould Slahi, held at Guantanamo, was also an actor, his imprisonment and bestselling book being faked. Mathis connects Slahi’s past education and involvement with the Mujahideen to the CIA, suggesting the organization uses fronts and manipulates individuals for its operations. He believes the CIA orchestrated the Guantanamo narrative to legitimize the 11 event.
Mathis further contends that The Gateway Pundit is a CIA front and that their coverage, including that of the Arizona vote audit, is designed to create false hope and maintain control. He also analyzes the raid on Rudy Giuliani, suggesting it was staged “Red v. Blue theater” by the Justice Department and the FBI to distract from other issues. The author points to the peculiar detail of the Hunter Biden hard drive being left behind as proof of staging. He also dismisses reports of Giuliani’s associates, like Roger Stone, being raided, and that the Lincoln Project allegedly knew about the raid beforehand, deeming it an implausible leak.
The author extends his critique to media outlets like Tucker Carlson, ZeroHedge, and Alex Jones, accusing them of perpetuating the fake narrative of the January 6th attack and the alleged solitary confinement of detainees in DC. Mathis argues that such claims are lies designed to scare the public and prevent them from resisting “tyranny.” He believes Tucker Carlson uses issues like mask opposition and the “defund-the-police” movement to capture a rational audience and then mislead them. Mathis outlines a plan for a rise in fascism, where a temporary weakening of police forces is followed by increased violence and a public demand for restored order, potentially orchestrated by figures like Trump or DeSantis with expanded police and military powers.
Mathis concludes that the current system, driven by “Phoenicians” (a veiled reference to powerful entities), intentionally destabilizes society through fabricated events and narratives to maintain control and profit. He believes true freedom comes from recognizing these fakes and refusing to participate in their manufactured consent. He contrasts the current state with a perceived more independent past in the US and suggests that technology, while intended for control, has inadvertently provided the means to see through these manipulations. Mathis advocates for defunding the military and intelligence agencies rather than the police, and for citizens to disengage from the manufactured narratives, ultimately causing the plot to collapse. He believes that a return to a less informed public, similar to the 1950s, is the goal of the current controllers, but that technology has made this harder to achieve.