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This article, “Lucky Lindy?” by Miles Mathis, argues that the life and achievements of Charles Lindbergh Jr. were largely a manufactured hoax, orchestrated by powerful forces, likely US Intelligence and wealthy elites. Mathis claims that inconsistencies in Lindbergh’s biography, from fabricated family photos and questionable ancestral history to the suspicious circumstances surrounding his famous transatlantic flight and the kidnapping of his son, all point to a carefully constructed narrative.

The author details a pattern of fraud and deception within the Lindbergh family, tracing it back to his grandfather, Ola Mansson, who fled Sweden after embezzlement charges. Mathis suggests that Lindbergh Sr., Charles Lindbergh Jr.’s father, also had a fabricated biography, with connections to powerful figures and businesses, and that his opposition to the Federal Reserve was a staged act.

The most significant part of the article focuses on the alleged kidnapping of Charles Lindbergh Jr.’s baby in 1932, which Mathis believes was a staged event, a “spook production” orchestrated by Intelligence and Masons. He points to anomalies in the investigation, the ransom note, the trial of Bruno Hauptmann, and the questionable role of individuals like Wild Bill Donovan and John Condon.

The author then scrutinizes Lindbergh’s famous solo transatlantic flight in the Spirit of St. Louis. Mathis contends the aircraft’s design was physically impossible for such a journey, citing issues with visibility, weight distribution, fuel capacity, and the lack of essential equipment like a radio and gas gauge. He suggests the flight was a propaganda stunt to promote commercial aviation, backed by wealthy investors and orchestrated by figures like J. P. Morgan and William Durant, whose families had a history of involvement in scandals and elite retreats.

Mathis concludes that Lindbergh’s entire public persona and achievements were a carefully crafted illusion, designed to manipulate public perception and serve the interests of powerful elites. He highlights the pervasive use of numerology and coded signals throughout Lindbergh’s life story as further evidence of this manufactured reality.

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This article, “Lucky Lindy?” by Miles Mathis, argues that the life and achievements of Charles Lindbergh Jr. were largely a manufactured hoax, orchestrated by powerful forces, likely US Intelligence and wealthy elites. Mathis claims that inconsistencies in Lindbergh’s biography, from fabricated family photos and questionable ancestral history to the suspicious circumstances surrounding his famous transatlantic flight and the kidnapping of his son, all point to a carefully constructed narrative.

The author details a pattern of fraud and deception within the Lindbergh family, tracing it back to his grandfather, Ola Mansson, who fled Sweden after embezzlement charges. Mathis suggests that Lindbergh Sr., Charles Lindbergh Jr.’s father, also had a fabricated biography, with connections to powerful figures and businesses, and that his opposition to the Federal Reserve was a staged act.

The most significant part of the article focuses on the alleged kidnapping of Charles Lindbergh Jr.’s baby in 1932, which Mathis believes was a staged event, a “spook production” orchestrated by Intelligence and Masons. He points to anomalies in the investigation, the ransom note, the trial of Bruno Hauptmann, and the questionable role of individuals like Wild Bill Donovan and John Condon.

The author then scrutinizes Lindbergh’s famous solo transatlantic flight in the Spirit of St. Louis. Mathis contends the aircraft’s design was physically impossible for such a journey, citing issues with visibility, weight distribution, fuel capacity, and the lack of essential equipment like a radio and gas gauge. He suggests the flight was a propaganda stunt to promote commercial aviation, backed by wealthy investors and orchestrated by figures like J. P. Morgan and William Durant, whose families had a history of involvement in scandals and elite retreats.

Mathis concludes that Lindbergh’s entire public persona and achievements were a carefully crafted illusion, designed to manipulate public perception and serve the interests of powerful elites. He highlights the pervasive use of numerology and coded signals throughout Lindbergh’s life story as further evidence of this manufactured reality.

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