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The author Miles Mathis argues that the recent Alex Jones defamation trial concerning the Sandy Hook shooting is entirely fake, orchestrated by CIA writers. Mathis asserts that any televised trial is inherently fake and that the absence of actual Sandy Hook parents makes the jury’s award of $4 million to Jones absurd. He suggests Jones’ participation in this staged event is a “guaranteed fail” that will alienate his audience, particularly as his popularity was peaking due to his opposition to topics like Covid, biden, Jan. 6, and CRT. Mathis posits that Jones, along with figures like Tucker Carlson, has been used to promote the rise of the Republican Party while the Democratic Party tanks.

Mathis claims Jones has long been suspected of controlling opposition and that this trial is a massive clue confirming this. He likens it to the scene in The Wizard of Oz where Toto reveals the puppet master. The author is particularly incensed that Jones admitted Sandy Hook was real as part of his punishment and invited the “fake actors” playing the parents onto his show, even suggesting Jones might now advocate for gun control or donate to the Department of Homeland Security. Mathis states that Jones has now “done all my work for me” and declares the trial a “strange suicide” for Alex Jones, advising that anyone who worked with Jones should be discredited.

The author reiterates his belief in rejecting both major political parties, Republican Party and Democratic Party, and warns against trusting any institution, party, or famous person, including Kari Lake, Donald Trump, or Rick DeSantis. He believes the solution lies in individuals “waking up” and seeing through the “entire web of lies.” Mathis encourages readers to practice identifying fake trials by analyzing the Sandy Hook case, noting numerous “red flags.”

He then delves into perceived legal irregularities, highlighting the judge’s black hexagram earrings with pyramids, the judge scolding Jones for lying under oath (which Mathis argues should be called perjury and handled differently), and the “accidental” transmission of Jones’ cellphone communications to prosecutors, suggesting Jones was prosecuted from both sides. Mathis calls the trial staged and a “kangaroo court” run by individuals with no understanding of the law, facilitated by Langley and scriptwriters. He also questions the legal basis for looking at Jones’ private conversations in a slander/libel case, arguing the focus should have been solely on his public reporting, and that the trial was staged to make people fear lawsuits for stating opinions and presenting evidence, thereby controlling them with lies rather than laws.

Mathis further scrutinizes the background of Judge Maya Gamble, noting her election with 100% of the vote in district 459 without a Republican challenger, despite her predecessor being a Republican. He highlights the confusing appointment and election history of judges in district 459, including Dustin Howell and Greg Abbott, and the conflicting information from Ballotpedia and Law.Justia.com regarding the judge for that district, suggesting district 459 might be a “dummy court.” He connects Judge Gamble to the Planned Parenthood case in 2021 and suggests she is used for “big political cases.” Mathis investigates Gamble’s personal life, noting her residence in DC, her scrubbing at Instantcheckmate, her marriage to Chris Gamble, his employment at One Source Solutions, a subsidiary of GTT (Global Telecom), and Chris Gamble’s father Howard Gamble of Kennebunkport and Marblehead. Mathis theorizes a connection to the Procter and Gamble family, specifically mentioning Dr. Clarence Gamble, his involvement in forced sterilization and eugenics, and his daughter Sally Gamble’s marriage to Lionel Epstein, head of the Pathfinder Fund, which funded forced sterilization of poor blacks, a program that ended in 1977 with North Carolina apologizing in 2002. Mathis concludes by emphasizing that such discoveries arise from asking simple questions that “they” want to prevent people from asking.

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