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jimi

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This document presents a contrarian view of Jimi Hendrix’s life and career, arguing that his success was not solely due to his talent but rather to extensive connections within the elite and intelligence communities. The author, Miles Mathis, claims Hendrix was part white and part Jewish and suggests he faked his death.

The analysis begins by examining Hendrix’s paternal genealogy, tracing his family tree through Geneanet and thepeerage.com. It is asserted that his paternal grandfather, Bertran Philander Ross Hendrix, adopted the Hendrix name from his stepfather, Jefferson Hendricks, to obscure his Ross lineage. Philander Ross, Hendrix’s great-grandfather, is identified as a billionaire bank president and connected to prominent families like the Rectors, Oldhams, and Rhodes. These connections are linked to the British peerage, including the Stanleys, Earls of Derby, Russells, Stuarts, Fitzjohns, Grahams, Kennedys, Noels, and Spencer-Smiths, thus connecting Jimi Hendrix to figures like Malcolm X, Lady Diana, JFK, and even Harry Potter and George Washington. The Oldhams are also linked to the Montagues, and through them to Guy Ritchie.

The text further suggests Jimi Hendrix is related to Tom Hanks and all US Presidents due to the presence of numerous Jewish names in his ancestry. His Hendricks lineage is connected to the Littlers, Campbells, Stewarts, and Goldsmids. Further research into Julia Devereux Hendrix of Natchez, MS, and her family connections to William Alpheus Hendrix, Margaret Graham Shields, Capt. Devereux Shields, Julia Dunbar Jenkins, and Winchesters of Natchez, reinforces the theme of wealthy plantation owners.

The ancestry of William Ross, who emigrated from Malone, Ireland (a suburb of Belfast), is explored, connecting him to the Rosses of the peerage, including Sir John Ross, 1st Baronet of Londonderry, and Alexander Ross of Pitcalnie. The Dunbars are also mentioned as relatives.

In contrast, Jimi Hendrix’s maternal lineage, specifically his mother Lucille Jeter, is described as having “air” in genealogical records, suggesting a deliberate scrubbing or a lack of connection to the peerage.

The author continues by detailing more supposed connections through Philander Ross’s wives. Reynolds Spain Ross’s daughter’s marriage to Lane Sharpless Lowe links Jimi Hendrix to Rob Lowe and John Kerry through the Noel family. Philander Ross’s marriage to Julia Slater connects Hendrix to Capt. John Webster of Hartford, Jeremiah Jagger, and ultimately Mick Jagger, as well as Noah Webster.

The text then speculates on Jimi Hendrix faking his death, highlighting his father Al Hendrix’s military service and unusual post-discharge activities. The death of Lucille Jeter is questioned, with discrepancies in her age at death and the circumstances surrounding it suggesting manipulation. Al Hendrix’s marriage to a Japanese woman, Ayako Fujita, is presented as suspicious, linking to the Fujita conglomerate and Nobuo Fujita, implying Al Hendrix’s involvement in Intelligence. The Fujitas are further linked to Saichiro Fujita and the Baha’i faith, which the author claims is a conjob manufactured by British Intelligence.

Jimi Hendrix’s elementary school, Horace Mann in Seattle, is identified as a “spook feeder” and Intelligence front, similar to the Horace Mann school in Bronx, which is connected to Columbia University. The author connects Horace Mann the educator to the Owenist and Christian Connection movements, suggesting they were Intel fronts designed to splinter Christianity. The Smiths of the peerage are identified as Jewish bankers involved in various deceptions, including the Titanic hoax, and accused of infiltrating Christianity. Horace Mann’s English cousins, also Baronets of Kent, are linked to the Noel family again. Horace Mann Bond, president of Lincoln University and father of Julian Bond, is also discussed, linking Julian Bond to the Southern Poverty Law Center (SPLC), which the author claims is a source of disinfo and a front for military intelligence. Julian Bond’s connections through George Washington, Malcolm X, and Jimi Hendrix are reiterated.

The text criticizes Julian Bond’s leadership of the NAACP and his involvement with the SNCC, alleging he worked for “white Jewish paymasters” and married into the Horowitz family. Morris Seligman Dees and Joseph Levin are identified as Jewish founders of the SPLC, with Richard Cohen also mentioned as a leader. The SPLC is accused of creating and promoting white supremacist groups for military intelligence purposes. Millard Fuller and Habitat for Humanity are also questioned, with the author suggesting it benefits bankers.

The author dismisses Wikipedia’s account of Hendrix’s childhood fascination with a broom as a guitar as unbelievable, as well as the stories of him acquiring guitars despite his father’s supposed poverty. Jimi Hendrix’s army enlistment and discharge are also deemed suspicious, suggesting he was an “elite officer” and his career an assignment. His early bands, King Kasuals, Velvetones, and his work with the Isley Brothers and Little Richard, are framed as suspiciously easy successes.

The narrative then focuses on Linda Keith, Keith Richards’ girlfriend, who “discovered” Jimi Hendrix. Her Keith lineage is presented as being connected to Scottish nobles, but her father, Alan Keith, is revealed to have been Alexander Kossoff, a Jew from Russia. This connection is used to argue that Kossoff was also a Keith, linking Linda Keith and Jimi Hendrix as cousins.

Andrew Oldham, Jimi Hendrix’s alleged manager, is identified as a cousin through the Oldham family, casting doubt on Linda Keith’s role in their introduction. Chas Chandler and Michael Jeffrey of The Animals are presented as the ones who brought Hendrix to London. Michael Jeffrey’s suspicious death and the auction of Hendrix’s song rights are interpreted as evidence that both Jeffrey and Hendrix faked their deaths to hide assets. Ed Chalpin is described as a potential front name for a group.

Jimi Hendrix’s bandmates, Noel Redding and Mitch Mitchell, are also presented as cousins through their Noel and Graham connections, respectively. Otis Redding is also suggested to be from similar lines.

The promotion of Hendrix by Bill Graham (born Wolf Wolodia Grajonca) in the US after Woodstock is highlighted as further evidence of Jewish control over major cultural events. Woodstock itself is described as a Jewish construct. Hendrix’s album “Bold as Love” is seen as an overt tie to Theosophy and MI6.

The author concludes that Jimi Hendrix likely faked his death as a “re-assignment” into Intelligence, similar to Buddy Holly. Rock music in general is portrayed as a tool for diversion and destabilization, used to push drugs and distract youth from important issues. The text dismisses the idea that Hendrix isn’t Morgan Freeman.

The document is filled with references to genealogy websites like Geneanet and thepeerage.com, Wikipedia, historical figures, noble families, Jewish heritage, Intelligence agencies, and conspiracy theories surrounding music, politics, and religion.

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