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This news piece by Miles Mathis, published on September 30, 2021, argues that current events are staged hoaxes, using onomastics to decode hidden meanings. Mathis begins by analyzing the name Lt. Col. Stuart Scheller, suggesting his Jewish surname and military rank point to involvement in false flag events. He posits that Scheller’s public criticism of Afghanistan pullout and subsequent jailing are staged to silence other officers. Mathis then discusses a seemingly staged arrest in Canada of a mother for vaccine passport non-compliance, highlighting perceived inconsistencies. He claims Pfizer is rebranding Ivermectin as a costly Covid drug, explaining the prior dismissal of the drug. Mathis also critiques Gloria Steinem’s historical inaccuracies regarding Hitler, stating Hitler was appointed Chancellor and was not against abortion.

The core of the article focuses on the Gabby Petito and Brian Laundrie case, which Mathis asserts is a staged hoax. He suggests the narrative is crafted for public consumption, with the missing person report filed on 11 and the discovery of Petito’s remains in a convenient location. Mathis questions the FBI’s indictment based on credit card activity. He points to Petito’s photo appearing as Astarte and the symbols on her tattoos, including a pyramid, a rose, and the word “ZION,” as evidence of a deeper, orchestrated narrative. He interprets the “Let it Be” tattoo as a code, linking it to the Beatles’ song and suggesting anagrams related to Phoenician deities like Baal or El. He also analyzes a tattoo with an ocean wave, linking it to the Hebrew letter mem and the concept of a hanged man.

Further “proof” of the hoax, according to Mathis, comes from identifying Gabby Petito’s father, Joe Petito, as the Program Director at Young and Rubicam, a PR firm linked to WPP. He suggests this PR background explains the media blitz around the case, and that it serves to push the “Men are Pigs” narrative and distract from issues of missing black women. Mathis also investigates Brian Laundrie’s father, Chris Laundrie, and notes discrepancies between his reported business and his family’s affluent background. He concludes by referencing a New York Post article stating Gabby Petito appeared in a Sandy Hook music video, further suggesting the Petito family’s involvement in staged events. He also mentions other seemingly symbolic tattoos on Gabby Petito, such as a Pisces tat and a ghost on a skateboard. He also touches on the Beatles’ song “Let It Be” and interprets some of their other songs as having sinister undertones.

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