The author, Miles Mathis, presents a theory that Princess Diana faked her death. Mathis bases this on extensive genealogical research, suggesting that key figures involved in the supposed car crash, particularly bodyguard Trevor Rees-Jones, are deeply connected to the British peerage. Mathis argues that Rees-Jones’s injuries do not match the official accounts and that his family lineage, through names like Rees and Spencer, links him directly to Diana and the royal family.

Mathis further posits that Diana’s grandmother’s maiden name, Gill, also connects her to powerful families, and that Operation Paget, the investigation into Diana’s death, was named after a controlling Paget. He also suggests Diana’s alleged boyfriend, Oliver Hoare, was another cousin. Mathis elaborates on Diana’s extensive aristocratic connections, highlighting multiple ducal lines.

The author also scrutinizes the official narrative of the car crash, questioning the authenticity of photographs and the car’s appearance. He suspects the crash was staged by intelligence agencies like MI5 and CIA, with bodies from a morgue identified as Diana and Dodi by a Parisian coroner.

Mathis also delves into the background of Dodi Fayed, suggesting he was a film producer involved in “special effects” and “murder by illusion,” and that he, like Diana, may have faked his death to join MI6. He connects Fayed’s family to intelligence operations and critiques his filmography.

The author dismisses the notion that Diana’s death was real due to an autopsy, pointing to the involvement of a Dr. Robert Chapman, who Mathis claims has a history of involvement in staged events. Mathis also questions the legal proceedings around David Bain’s case, where Chapman was involved, suggesting it was a setup.

Mathis concludes that the royal family’s subdued reaction to Diana’s death is a sign of their knowledge and complicity in the staged event. He argues that a faked death was a solution for Queen Elizabeth II to remove Diana from public life. He also suggests that Diana’s burial on an island at Althorp is unusual and further evidence. The author believes Diana could have easily maintained contact with her children and lived in anonymity, with MI5 ensuring her secrecy. He dismisses the media’s role, stating it is controlled and would not report anything contradicting the official story.

In addendums, Mathis links the name Khan to Cohen, suggesting Hasnat Khan’s relationship with Diana in late 1997 as further proof of a staged death. He also critiques a Greg Reese video report for Infowars, arguing that Reese confirms Mathis’s theory by discussing the lack of cameras and radio silence during the event. Mathis accuses Greg Reese of attempting to “spin” his research and criticizes his later arguments about Satanic rituals, dates, and the naming of the Pont de l’Alma. Mathis also notes Prince Harry’s admission in his biography “Spare” that he believed his mother was alive and the logistical impossibility of Diana giving him an Xbox for his birthday, given its invention date. Mathis suggests that the consistent involvement of various families and the manipulation of events by intelligence agencies are hallmarks of “opposition control” and the deliberate manufacturing of narratives.

Summary:

The author, Miles Mathis, argues that Princess Diana faked her death in a staged car crash, a theory he supports by tracing extensive genealogical links between key individuals involved, particularly Trevor Rees-Jones, the bodyguard, and Diana Spencer herself. Mathis suggests Trevor Rees-Jones was not a bodyguard but a relative, possibly an Intelligence agent, and that the crash was orchestrated by agencies like MI5 and CIA using bodies from a morgue. He scrutinizes photographic evidence and the official narrative of injuries. The author also implicates Dodi Fayed, suggesting his role as a film producer specializing in “special effects” and “murder by illusion” indicates his involvement in staging his own death. Mathis further questions the autopsy performed by Dr. Robert Chapman, linking him to other staged events. He posits that the royal family’s lack of overt grief and Diana’s unusual burial location are further evidence of a faked death, designed to remove her from public life and control media attention. Mathis suggests Diana is alive and living in anonymity, with MI5 ensuring her secrecy. He also critiques the media’s controlled narrative and a Greg Reese report that, in his view, supports his theory. Additional points include links between the Khan and Cohen families, and inconsistencies surrounding Prince Harry’s account of his mother’s death and gifts.

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