The text argues that numerous daycare sex abuse cases in the 1980s, including those in Malden, MA and the McMartin Preschool case in Manhattan Beach, CA, were not genuine but rather orchestrated “hysteria” and “hoaxes” staged by CIA operations like OPERATION CHAOS and COINTELPRO. The author, Miles Mathis, claims these operations aimed to destabilize society, increase spending on intelligence and law enforcement, and assert greater control. He supports this by highlighting the lack of forensic evidence, reliance on coached child testimony, the rapid proliferation of similar cases across Five-Eyes countries, and the subsequent admission by Wikipedia that these cases were based on hysteria, though presented as “bad prosecutions.”
The article delves into specific cases, questioning the backgrounds and involvement of individuals. In the Malden case, Gerald Amirault’s alleged ties to the Trafficante crime family are emphasized, suggesting they were not low-class criminals but part of a hidden, wealthy Italian/Jewish nobility. The author also points to the staging of a “Day of Contrition” in Salem, Massachusetts, as further evidence of a deliberate narrative.
Susan J. Kelley, a pediatric nurse involved in the Fells Acres case in Malden, is presented as a key operative, despite her incomplete academic background during the trial. Her subsequent career advancement in academia and professional organizations is seen as proof of her protected status within the system. The author also criticizes Massachusetts governors Jane Swift and Charlie Baker for their handling of pardons related to these cases, suggesting CIA interference.
The McMartin Preschool case is described as a “make-work project” designed to benefit LA County District Attorney Robert Philobosian and KABC TV reporter Wayne Satz, who allegedly had a relationship with social worker Kee MacFarlane. The article also links Children’s Institute International and the National Center on Child Abuse and Neglect (NCCAN, later OCAN) to the financial benefits derived from these fabricated events, suggesting a deliberate budget increase funded by taxpayers. The Edna McConnell Clark Foundation’s funding of the Children’s Institute of LA is also scrutinized, with a potential connection to the CIA and art market exposes by Frances Stonor Saunders and the Rockefellers and Mellons. The author questions Kee MacFarlane’s credentials and connections, including a possible relation to Seth MacFarlane, and notes her alleged alias Kathleen Ann Lynch and Catherine Lynch, with a FBI connection in Henrico, VA. Wayne Satz’s sudden death and the scrubbing of his online information are presented as suspicious.
The Hillside Strangler case is also brought up as another fake CIA case, with the author questioning the identities and backgrounds of Kenneth Bianchi and Angelo A. Buono, linking them to Italian nobility and suggesting they were actors. Christine Kizuka, Buono’s alleged wife, is also questioned for her lack of connection to him and her real name, Michiko Kim.
The Bernard Baran case in Massachusetts is dismissed due to the accusers being drug addicts and police informants. The rapid conviction and later overturning of the case are seen as further evidence of fabrication. The Wenatchee child abuse fake in Washington is presented as a staged event by Detective Robert Perez, who coerced his foster daughter Donna Perez into false accusations. The reluctance of federal agencies like Justice and FBI, as well as the aclu and Washington State Commission on Judicial Conduct, to investigate is attributed to CIA stand-down orders. NIH forensic psychologist Phillip Esplin’s critical assessment of the case is highlighted. Child Protective Services (CPS) is deemed incapable of orchestrating such widespread control.
The Country Walk Babysitting Service case in Miami, Florida, involving Janet Reno, is scrutinized for the owner Frank Fuster’s criminal history and his licensing to run a daycare. The involvement of Disney in owning the daycare is presented as suspicious, suggesting collaboration with the CIA. Janet Reno’s alleged torture of Ileana Fuster in prison is also detailed, highlighting her ruthlessness. The book and movie “Unspeakable Acts” are critiqued as propaganda, with the author Jan Hollingsworth being a consultant for the Bragas, who ran the child witnesses. Director Linda Otto’s career, filled with true-crime fake stories, is also noted.
The article then pivots to Jayne Mansfield, suggesting she faked her death and had ties to JFK, questioning her relationship with Sam Brody and the circumstances of her death, especially the survival of her children. Bobby Fijnje, a 14-year-old accused by Janet Reno, is presented as a young actor who refused a plea bargain, causing the case to collapse. Finally, Janet Reno’s involvement in the waco incident is mentioned as further evidence of her role in staged events. The author concludes that many of these figures, including Mansfield and Reno, were primarily actors.