ADKO

colley

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The provided text argues that the Colleyville Synagogue Hostage Crisis was a staged event, orchestrated by various entities for manipulative purposes. The author claims that the preparation of the synagogue by organizations like the FBI, Anti-Defamation League, Colleyville Police Department, and Secure Community Network indicates a pre-planned scenario. The text further asserts that the alleged perpetrator, Aafia Siddiqui, is a fake Al Qaeda terrorist linked to Khalid Sheikh Mohammed, both of whom are portrayed as actors in a staged narrative. Aafia Siddiqui is described as white and having a background in neuroscience with degrees from MIT and Brandeis University, suggesting Jewish connections. The author speculates her name might be Aaliya and that she is related to Faiz Siddiqui, a British lawyer who sued his parents for financial support. This is then linked to screenwriter Javid Siddiqui and a family of “freedom fighters,” including Mohammad Ali Jouhar and Maulana Shaukat Ali, who were known as the Ali Brothers. The text details Javid Siddiqui’s film career, his work with Satyajit Ray on Shatranj Ke Khilari, and James Ivory, and mentions his children, Murad, Lubna, Sameer, and Zeba. Lubna Salim is noted as a stage actor-singer married to Salim Arif, and Murad has a production company. The author connects these Siddiquis to Nawazuddin Siddiqui, a Bollywood actor, and suggests the family held the status of Lambardars in India, a hereditary position with governmental powers. The author claims this staged event is meant to “resell the whole 911 charade,” which they believe was an “inside job” unrelated to Arabs, box cutters, or hijacked airlines. The location of Fort Worth is also highlighted as the site of Joint Base Fort Worth NAS JRB, implying it could be the base of operations for the hoax. The text references an article by Larry Johnson, a former State Department official, who questioned the FBI’s actions, which the author interprets as further evidence of a staged event. The alleged hostages, a Walker and a Cohen, are mentioned, with the Walkers being linked to the Bushes. The perpetrator is identified as Akram, a supposed British actor with an MI5 profile, whose entry into the US via JFK Airport without proper checks is questioned. The author claims Akram is not dead and is likely enjoying money from the staged event. The text points out that in filmed footage, Akram followed the hostages out, which, if the event were real, would have resulted in him being shot by a sniper. Finally, the media’s portrayal of the event as causing global fear within the Jewish community and as an example of anti-Semitism is dismissed as “fake news” produced by the “theater departments of the FBI, CIA, Air Force, etc.”

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