adicheo

orwell

6 min read

Here’s a summary of the provided text, with the requested entities marked:

The text argues that George Orwell faked his own death in 1950. The author, Miles Mathis, presents several clues to support this theory. Orwell’s marriage to Sonia Brownell shortly before his alleged death, her alleged secret work for the Information Research Department (Propaganda) at the British Foreign Office, and her subsequent control of Orwell’s estate, along with David Astor and Richard Rees, are cited as suspicious. The author suggests that Sonia Brownell’s later marriages were likely cover stories, as her partners were known to be gay.

The text delves into extensive genealogical connections, claiming that Orwell, whose real name was Eric Blair, was from a peerage family, linking him to figures like Tony Blair, Duke of Gordon, Duke of Hamilton, Earl of Derby, and James Stanley. Similarly, Sonia Brownell’s family is claimed to have peerage connections to Boothbys, Burnhams, Levy-Lawsons, Viscounts Burnham, Cohens, Havemeyers, Nevilles, Stuarts, Stanleys, and Owens. Orwell’s mother’s side also purportedly connects to Birds, Whelers, Glynne baronets, Evelyn baronets, Beresfords, Carus-Wilsons, and Bronte sisters.

The author asserts that Orwell was involved with Intelligence from a young age, attending Eton and being tutored by Aldous Huxley and A. S. F. Gow, the latter identified as a member of the Cambridge Five. Orwell allegedly worked for the Indian Imperial Police and later spied on the poor in London and Paris. He is also accused of spying on workers in Manchester and miners in Wigan, and later on Republicans in Spain during the Spanish Civil War. His book, The Road to Wigan Pier, is presented as a product of this espionage, and his experiences in Spain, culminating in a supposed bullet wound to the throat (which the author disputes), are questioned.

The text claims that Orwell’s wife, Eileen, also worked for the Ministry of Information in the Censorship Department. Orwell’s works, such as Animal Farm and 1984, are suggested to have been promoted by Intelligence fronts like the CIA and MI6, with Animal Farm being sold to the CIA for very little and later adapted into an animated film by Intel in 1954. The author believes the popularity of his books was faked, similar to The Great Gatsby.

A significant claim is that Orwell established a front company, George Orwell Productions, to avoid taxes on his wealth. His death is further questioned by his burial location in Sutton Courtenay in David Astor’s parish, rather than with his family. The narrative surrounding his tuberculosis is also scrutinized, with claims of him undertaking strenuous activities while allegedly ill and being sent to isolated sanatoriums.

The author then pivots to Virginia Woolf, comparing her problematic familial and peerage connections to Orwell’s. Woolf’s family is linked to the East India Company, Julia Margaret Cameron, Howards, Mitfords, Hitler, Stephen knights, Calvert baronets, Duke of Norfolk, and Napoleon. Her association with the Bloomsbury Group is described as a gathering of “peerage brats.” Woolf’s sexuality and her critiques of feminism are discussed, alongside her alleged peerage connections and the alleged fabrication of her literary significance by the BBC and Modern Library lists. The author criticizes Woolf’s writing style and its perceived lack of genuine feminist contribution, contrasting it with Jane Austen. The text concludes by questioning the happiness derived from atheism, feminism, and Modernism, especially for privileged individuals.

List of Subjects, Names, References, Locations, Companies, etc.:

Graph View