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This document, “The O. J. Simpson Trial Was Faked,” by Miles Mathis, argues that the O. J. Simpson trial and the murders themselves were fabricated as part of a large-scale deception orchestrated by Intelligence (presumably referring to the CIA). The author presents various points to support this claim, suggesting that Simpson was a willing participant, an “agent,” and that the event served multiple purposes, including media distraction, propaganda, and the erosion of legal principles.

The author draws parallels between Simpson’s life and career and alleged CIA operations, pointing to Simpson’s birth year (1947, the same year the CIA was founded), his acting career, and his role in the movie CIA: Codename Alexa. The film Capricorn One, about faking a Mars landing, is cited as further evidence of a pattern of faking major events. The author also notes the involvement of individuals like Robert Blake who were also involved in murder trials.

Key arguments include:

  • Coincidences and Symbolism: The author highlights perceived symbolic connections, such as Simpson’s role in CIA: Codename Alexa, his sentencing to 33 years (linking to the recurring number 33 in Intelligence operations), and the numerology in the title of “Naked Gun 33 1/3.”
  • Abnormal Legal Procedures: The dismissal of the grand jury due to media coverage and the unusual acceptance of the defense’s argument about jury bias are presented as evidence of a scripted trial. The judge, Kathleen Kennedy-Powell, is scrutinized for her background and for citing an obscure ruling to allow evidence obtained without a warrant, which the author claims violated Simpson’s Fourth Amendment rights and set a dangerous legal precedent.
  • Televised Trial: The author argues that televising the trial, especially after the grand jury was dismissed for excessive media coverage, is a fundamental contradiction that proves the event was fake.
  • Prosecution and Defense: Marcia Clark is portrayed as an unqualified actress with a fabricated background, and the jury selection is questioned for its demographic makeup, suggesting it was designed to ensure an acquittal. Robert Kardashian is presented as Simpson’s handler and CIA liaison.
  • Faked Murders: The author analyzes crime scene photos, claiming they appear staged with unrealistic blood spatter patterns and unnatural posing of the victims, Nicole Brown Simpson and Ronald Goldman. The author further suggests that Nicole Brown Simpson may have been a man or a composite, and that Ronald Goldman was hired as a staged victim, possibly as O. J. Simpson’s boyfriend.
  • Misdirection and Distraction: The primary purpose of the entire event, according to the author, was to divert public attention from more significant political and economic events occurring concurrently, such as NAFTA, GATT, the WTO, the Paula Jones lawsuit against Bill Clinton, the Whitewater investigation, and geopolitical conflicts in Banja Luka, Rwanda, and Sudan.
  • Numerology and Signals: The author believes that the timing of events, such as the alleged murders on June 13th, carries symbolic weight, coinciding with the publication of the Pentagon Papers and the establishment of Miranda rights.

The author concludes that the O. J. Simpson case was a manufactured event designed to manipulate public opinion, erode legal protections, and distract from real-world issues.

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