This text by Miles Mathis proposes a revisionist interpretation of the philosopher Friedrich Nietzsche, asserting that he was Jewish and that his life and work have been misrepresented by mainstream historical narratives. Mathis claims that hidden clues, such as Phoenician symbolism and certain physical features, point to Nietzsche’s Jewish heritage. He argues that Nietzsche’s family, including his father Carl Ludwig and mother Franziska Oehler, were secretly Jewish, and that figures like Martin Luther and Popes were also of Jewish descent, used to manipulate Christianity and other religions.
Mathis suggests that Nietzsche’s sister, Elisabeth Forster-Nietzsche, was also Jewish and involved in a project of “controlled opposition” with her husband Bernhard Forster, who Mathis also claims was Jewish and an anti-Semite. The author posits that Nietzsche’s purported anti-Semitism and promotion as a precursor to Nazism were part of a deliberate fabrication, with Nietzsche later being reframed as an “anti-anti-Semite” and even a proponent of a “New Jew” by Zionists.
The text delves into Nietzsche’s family tree, connecting various ancestors to Jewish lines and noble European families, including the Sonnenbergs, Pfyffers, Forsters, Eltons, Ashmoles, and Gersdorffs, suggesting these families were all interconnected and part of a “Phoenician” (i.e., Jewish) network. Mathis also examines Nietzsche’s academic and personal life, questioning the official accounts of his scholarships, professorships, and relationships, particularly his interactions with Lou Andreas-Salome and Paul Ree. He asserts that Nietzsche’s rise to prominence was facilitated by powerful connections, not merit, and that his breakdown and later writings were influenced by these hidden familial and societal forces.
The author then critiques the portrayal of Lou Andreas-Salome in a 2016 German film, arguing that she, too, was Jewish and that her life story, like Nietzsche’s, has been manipulated. Mathis uses Salome’s purported relationships and her writings to critique modern feminism, social changes, and the erosion of traditional institutions like marriage, attributing these trends to a deliberate agenda of societal destruction driven by “governors.” He concludes that Nietzsche’s legacy has been continuously reinterpreted to serve the interests of various groups, including Zionists, and that the truth about his origins and motivations remains obscured.
Summary: Miles Mathis argues that philosopher Friedrich Nietzsche was secretly Jewish, contrary to popular belief, and that his life, family, and work have been systematically misrepresented. Mathis alleges that Nietzsche’s family members, including his parents Carl Ludwig and Franziska Oehler, and his sister Elisabeth Forster-Nietzsche, were Jewish and involved in a long-standing scheme to manipulate religious and political narratives, including the creation of Protestantism and the rise of Nazism, by using individuals who posed as Gentiles or anti-Semites. The author traces Nietzsche’s lineage through various noble European families, asserting their interconnectedness and Jewish origins, and questions the conventional accounts of Nietzsche’s academic success and personal relationships, particularly with Lou Andreas-Salome and Paul Ree. Mathis concludes that Nietzsche’s image has been continually reshaped to serve hidden agendas, most recently by Zionists, and that his story is a prime example of how historical figures and events are manipulated for ideological purposes. The text also critiques modern feminism and societal changes, linking them to a deliberate agenda to undermine traditional structures like marriage.
Subjects, Names, References, Locations, Companies, etc.: Friedrich Nietzsche, Miles Mathis, December 21, 2023, Phoenicians, Jewish, Nazis, Walter Kaufman, college, college, anti-Semite, Nazism, Modern existence, egalitarian, college, philosophy major, Jewish question, small-town Texas, Zionists, Wikipedia, Nietzschean Zionism, father, grandfather, Lutheran ministers, Luther, Protestantism, Christianity, 16th century, Judaism, trade, Christians, ministers, priests, cardinals, Popes, Medici Popes, Encyclopedia Britannica, Carl Ludwig, picture, Jewish septum, cross, Nietzsche’s sister Elisabeth, paste, mustache, mother, Franziska Oehler, Oehlers, Max Oehler, Richard Oehler, Nazis, Max Oehler, AnneMarie Lemelson, Lemelson, Jewish name, Jerry Lemelson, fax machines, cordless telephones, VCRs, bar code scanners, Los Angeles Times, fraud, Austrian Jew, Ida Halpern, Beth Mordecai cemetery, hedgefund creep Emmanuel (Gregory Manoli) Lemelson, Christian, priest, convicted securities criminal, 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artist, writer, The Case of Wagner, The Antichrist, Texas, Bible Belt, politicians, rich people, [[Lou Andreas-Salome: the Audacity to be Free]]]], Rilke, death, Marikas, Alexandras, destiny, free will, predestination, Joni Mitchell, Sylvia Plath, motherhood, abortion, Freud, Habsburg chin, Nazi theater, Pfeiffer, Gottingen townhall, Gestapo, Nietzsches, Lou Andreas-Salome, Gillot, library, Louisa von Darmy, Duve, bankers, merchants, Hanover, Johann Duve, King of Denmark, Findagrave, balding, unattractive, attractive, male, female, Austin, 20s, 30s, Lou Salome, feminism, God, father, atheism, patriarchy, equality, special treatment, universities, churches, husband, wife, hurtful language, liberalism, tolerance, inclusion, society, marriage, children, couples, singles, antidepressants, gym memberships, wigs, plastic surgery, comfort food, expensive diets, internet channels, propaganda, Lou Andreas-Salome: the Audacity to be Free, Rilke, Nietzsche, Lou, Ree, sexual milktoasts, Joni 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