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mcduff

4 min read

This article argues that Kenneth McDuff was a fabricated serial killer, presented as a “fake serial killer” to serve specific purposes. The author, Leaf Garrit, claims that the concept of a psychopath is an unprovable theory, popularized by Dr. Cleckley and filmmaker Errol Morris. The article dissects various aspects of McDuff’s alleged life and crimes, highlighting inconsistencies and anomalies as evidence of a staged narrative, or “psyop.”

The author points to supposed doctored mugshots with Photoshop evidence and inconsistencies in facial features like ears and noses. They also highlight contradictions in McDuff’s supposed death and execution dates, suggesting government databases indicate he is still alive and significantly older than claimed. Further inconsistencies are found in his family history, including the existence and birthdates of his twin brother, Lonzo. The article suggests that these discrepancies, along with the claimed coincidental connections between McDuff’s victims and those involved in the cases, point to a manufactured story.

The author also emphasizes alleged military ties within McDuff’s family and associates, linking them to Texas State Technical College in Waco, a location they claim is used for military intelligence projects. The article draws connections between McDuff’s alleged family and historically significant families and peerage, including the Earls of Fife, Prescott baronets, and Bush family, suggesting a deliberate weaving of prominent names.

A particularly strong point of contention is the arrest of McDuff in 1992, where the arresting officers, Thomas Parnell McNamara, Jr. and Mike McNamara, were the sons of the men who arrested him in 1966. This “poetic justice” is presented as a Hollywood-esque plot device. The article further asserts that the McNamara family has extensive ties to high orders of the peerage, including connections to John Wilkes Booth, and that McDuff’s own family also shares these lineage connections.

The article critiques the narrative surrounding McDuff’s parole and death sentence, calling the parole board’s decision to release him after a bribery attempt and his perceived inability to “contribute to society” illogical and insulting to public intelligence. The author posits that the entire Kenneth McDuff narrative, and similar serial killer stories, are designed to spread fear, particularly among women, to increase public acceptance of government control, taxation, and spending. The article concludes by referencing the “McDuff Laws” in Texas, which tightened parole rules, as the ultimate goal of this fabricated story – to justify increased government spending and bureaucracy in law enforcement and the prison system.

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