The author of this text, Miles Mathis, argues that Martin Luther was not a devout religious figure but rather a pawn in a larger, orchestrated project by Jewish elites to undermine the Catholic Church and seize its assets. Mathis claims that Martin Luther’s ancestry was Jewish, citing numerous Jewish surnames and noble connections, and that his life and actions were carefully manufactured and manipulated by powerful figures. The Monty Python skit about Martin Luther is presented as a deliberate clue, with its Jewish characters and producers, Sol C. Ziegler, Andy Rotbeiner, and the mention of Beirut, all serving as indicators. Martin Luther’s purported Jewish heritage is traced through his mother’s maiden name, Lindemann, and his maternal grandmother, Ziegler, whose maiden name was Rosenzweig. The author highlights connections to noble families like von Saalfeld, von Meiningen, von Monningen, von Meldigen, von Apolda, von Bornstedt, and von Meiningen, and their Grafs (Counts) of Thuringen, and also mentions Kellners and Hutteners.
Mathis further suggests that Martin Luther was a von der Sachsen, directly related to the Dukes of Saxony, and thus a cousin to European royalty, including Queen Elizabeth. The wealth and prominence of Martin Luther’s family are implied by the fact that his parents were painted by Lucas Cranach, the court painter to the Dukes of Saxony. Lucas Cranach’s potential Jewish background is also speculated upon with the name Kohen and his mother Hubner. Martin Luther’s wife, Katherine von Bora, is also presented as having noble and potentially Jewish ancestry, linked to families like von Haugwitz, von Schonberg, von Hirshfeld, and von Metzsch. The author claims Martin Luther and Katherine von Bora were cousins due to the Schonbergs being Counts of Saxony.
The timeline of Martin Luther’s academic and clerical career is presented as fabricated and contradictory, suggesting his entire resume was a sham. The author argues that Frederick III, Elector of Saxony and Emperor Charles V were complicit in staging the Reformation, with Frederick III even pretending to prosecute his own cousin. Pope Leo X, whose real name was Giovanni de’ Medici, is accused of being a crypto-Jew working to destroy the papacy from within. The author contends that the Reformation was an orchestrated “hoax” designed to facilitate the seizure of church assets by the elite. The text also discusses the role of Johann von Eck (also Johann Maier) and Karl von Miltitz, portraying them as likely relatives of Martin Luther also playing specific roles.
The author dismisses Martin Luther’s supposed anti-Semitism, as seen in his work “On the Jews and Their Lies,” as a tactic to deflect suspicion and control opposition, a strategy purportedly employed by figures like Ezra Pound and Adolf Hitler. The text concludes with a personal health update from Miles Mathis, detailing his discovery of cadmium poisoning from his cookware and dishes, and advising readers to check their heavy metal levels.
Summary with marked entities:
The author, Miles Mathis, asserts that Martin Luther was a fabricated figure, a tool of Jewish elites aiming to dismantle the Catholic Church and seize its wealth. Mathis suggests Martin Luther’s own ancestry was Jewish, citing his mother’s maiden name Lindemann and his maternal grandmother Ziegler, whose maiden name was Rosenzweig. He links Martin Luther to numerous noble families including von Saalfeld, von Meiningen, von Monningen, von Meldigen, von Apolda, von Bornstedt, von Meiningen, and their Grafs of Thuringen, as well as Kellners and Hutteners. Further connections are made to the von der Sachsen Dukes of Saxony, placing Martin Luther as a relative of Queen Elizabeth. The author highlights the wealth of Martin Luther’s family, evidenced by portraits by Lucas Cranach, who may have also been Jewish (e.g., Kohen). Martin Luther’s wife, Katherine von Bora, is also presented as having noble and potentially Jewish lineage, connected to von Haugwitz, von Schonberg, von Hirshfeld, and von Metzsch, and it is proposed that Martin Luther and Katherine von Bora were cousins.
Mathis questions the official timeline of Martin Luther’s life, deeming it a fabrication. He implicates Frederick III, Elector of Saxony and Emperor Charles V in staging the Reformation, with Frederick III allegedly prosecuting his own cousin. Pope Leo X, identified as Giovanni de’ Medici, is accused of being a crypto-Jew working against the papacy. The Reformation is characterized as an orchestrated “hoax” for asset appropriation. Other figures like Johann von Eck (Johann Maier) and Karl von Miltitz are also presented as likely relatives involved in this scheme. Martin Luther’s alleged anti-Semitism is interpreted as a deceptive tactic, mirroring actions of Ezra Pound and Adolf Hitler. The text concludes with Miles Mathis’s personal health update regarding cadmium poisoning from cookware, advising readers to be cautious.
List of marked entities:
- Miles Mathis
- Martin Luther
- Jewish
- Catholic Church
- Lindemann
- Ziegler
- Rosenzweig
- von Saalfeld
- von Meiningen
- von Monningen
- von Meldigen
- von Apolda
- von Bornstedt
- von Meiningen (repeated)
- Grafs
- Thuringen
- Kellners
- Hutteners
- von der Sachsen
- Saxony
- Queen Elizabeth
- Lucas Cranach
- Dukes of Saxony
- Kohen
- Katherine von Bora
- von Haugwitz
- von Schonberg
- von Hirshfeld
- von Metzsch
- Frederick III, Elector of Saxony
- Emperor Charles V
- Pope Leo X
- Giovanni de’ Medici
- crypto-Jew
- Catholic Church (repeated)
- Johann von Eck
- Johann Maier
- Karl von Miltitz
- Ezra Pound
- Adolf Hitler
- cadmium