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japan

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This text, “Pacific Theatre Part 2: In which we summarise how the Phoenician Empire took the Chrysanthemum Throne of Japan” by Lestrade, argues that Japan was not an isolated nation acting independently in World War II, but rather was manipulated and controlled by a Western Elite prior to the war. The author claims that Japan’s rulers were “flipped” by promises of power and empire, leading them to cooperate with an agenda that involved staged battles and fictional events. The common Japanese population, however, remained unaware of this manipulation. The author traces this manipulation back to Phoenician influence, suggesting it began with early trade in Nagasaki and escalated with Commodore Perry’s “Black Ships” in 1853. This led to the Boshin War (1868-1869), which the author describes as a “colour revolution” orchestrated by the Western Elite to replace the Tokugawa shogunate with a new elite, the Genrō, who were loyal to Western powers.

The text details how Western powers, specifically Britain and France, were instrumental in modernizing Japan’s military, providing weapons and training. This included the construction of Japanese warships like the Fuji by Thames Ironworks in London. The author suggests this military build-up was designed to facilitate Imperial Japan’s expansion into China and the wider Pacific region. The author also speculates on the convenient deaths of key figures like Shogun Tokugawa Ieyoshi and Emperor Komei, suggesting assassination to pave the way for the installation of a more pliable Emperor Meiji. The text further asserts that Emperor Meiji himself was a figurehead with severe health issues, likely due to inbreeding within the Japanese royal family, which the author links to alleged Phoenician genetic traits.

The author contends that Emperor Meiji’s successor, Emperor Taishō, and later Emperor Hirohito, were also controlled by the Genrō and Western powers, with Hirohito’s visits to the West being orchestrated to receive directives. The author argues that the Meiji Restoration was a facade, with real power held by the Genrō oligarchy, who continued to work with Western powers for decades. The text concludes that Japan became a de facto colony of the USA after World War II, with General Douglas McArthur acting as a “Gaijin Shogun,” and suggests that the current Japanese government operates under this continued colonial rule. The author’s collaborator, Miles, adds a note questioning the reality of the mass incendiary bombings of Japan, suggesting they may have been faked to facilitate rebuilding and gentrification, reinforcing the idea that “nothing is real” until proven otherwise.

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