This text, written by “Coyote Weeds” and dated July 22, 2022, presents a conspiracy theory that the École Polytechnique Massacre in Montreal, Quebec, on December 6, 1989, was staged. The author claims the event was fabricated as part of a continuous “Men-are-Pigs Project” designed to incite anger, promote propaganda, and create division.

The author points to several perceived anomalies as evidence for their theory:

  • Excessive Media and Political Reactivity: The immediate and sustained public debate about misogyny, women’s rights, female empowerment, and gun control is seen as a manufactured propaganda response. The creation of the National Day of Remembrance and Action on Violence Against Women is cited as an example.
  • Film Industry Connections: The author connects the event to director Denis Villeneuve, who made a film titled “Polytechnique” (2009) about the massacre. The film’s alleged financial failure and awards despite this are questioned, as is Villeneuve’s subsequent success with major Hollywood productions. The author also analyzes other films by Villeneuve, including “Next Floor” and “Rated R for Nudity,” suggesting hidden messages and alleged connections to CSIS and the Canadian military.
  • Alleged Shooter’s Background: The author scrutinizes the background of the alleged shooter, Marc Lepine, questioning his name changes, the reported details of his family, and his alleged admiration for Adolf Hitler. The author speculates that his background and motivations were fabricated.
  • Coroner’s Report and Event Details: The author finds the Coroner’s report nonsensical and questions the timeline of events, including the alleged shooter’s suicide within 20 minutes despite having ample ammunition. The author also mocks the reported disorganization of the police response.
  • Victim’s Identities and Family Connections: The author extensively analyzes the identified victims, questioning the plausibility of their ages, their stated professions, and their family connections. Suspicious “coincidences” are highlighted, such as victims being daughters of politicians or having alleged ties to spooks or intelligence agencies. The author even suggests a “sister switch” in the case of Geneviève Bergeron, claiming her “death” was faked. The author repeatedly emphasizes perceived Jewish connections among the victims.
  • Suicide Note: The alleged suicide note of Marc Lepine is deemed absurd and too brief to have been written in the given timeframe. The author questions its leaked nature and the connection of the journalist who received it to one of the named targets.
  • Comparison to Other Events: The author draws parallels to the Lortie’s story (Joseph Laurent Paul Denis Lortie), another Canadian event, suggesting both were staged by the same entities, possibly linking to CFB Montreal and the Royal 22nd Regiment.

The author concludes that the entire event was a staged “psychological warfare” operation designed to pit sexes against each other, destroy natural sexuality, increase profits through consumerism by creating lonely individuals, break up families, and prevent people from challenging the “governors” (referred to as “Phoenicians”). This is framed as part of OPERATION CHAOS.

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