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doug

4 min read

This paper examines the career of actor Michael Douglas, arguing that his film choices are not accidental but rather serve a “propaganda” agenda designed to sow discord between the sexes and promote fear. The author analyzes several of Douglas’s films, including Basic Instinct, Fatal Attraction, One Flew Over the Cuckoo’s Nest, The China Syndrome, The War of the Roses, Falling Down, Disclosure, and The Perfect Murder, suggesting they all contribute to this agenda by portraying women negatively or by creating a climate of fear around relationships and societal issues.

The paper then delves into Douglas’s family history, claiming his lineage connects him to British aristocracy, including the Melville family and various Dukes and Earls. It also suggests a connection to the Douglas family of the Scottish peerage. Further, it links his aunt’s marriage to the Johnson family, owners of Johnson&Johnson, to the “vaccine debacle” and notes connections to Claire Danes and James Woods. The author speculates about Kirk Douglas’s origins, suggesting he might be connected to the wealthy Russian Demidov family, explaining his marriage to a Melville.

The paper also touches on the alleged noble and wealthy connections of other actors, including Sharon Stone, Viggo Mortensen, Glenn Close, Demi Moore, and Gwyneth Paltrow, often through complex genealogical theories and purported scrubbed information. It questions the stated backgrounds and IQ claims of several actors, particularly James Woods and Sharon Stone, and criticizes their acting abilities and film choices. The author also briefly discusses Harvey Weinstein and Jeffrey Epstein, suggesting a connection to Gwyneth Paltrow and a possible conspiracy. The paper concludes by questioning the narrative surrounding Sylvia Plath and her relationship to Paltrow.

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