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The author, Miles Mathis, argues that the Maui fires are a deliberately staged event, or “fraud,” designed to mislead the public. He claims that the promotion of Directed Energy Weapons (DEWs) as the cause of the Maui fires is a coordinated effort, potentially originating from Langley or the Air Force, to replace the declining fear of nuclear weapons. Mathis asserts that people are realizing there are no nukes and that even the Oppenheimer movie failed to reinforce this fear. He contends that COVID-19 also failed to instill the necessary fear of pandemics, leading to a need for a new weapon to create dread.

Mathis dismisses the DEW theory for the Maui fires, suggesting instead that CGI, camera tricks, and lying agents were responsible. He relates this back to the 11 attacks, where he argues Judy Wood falsely promoted DEWs as the cause of the Twin Towers collapse. Instead, Mathis maintains that 11 was a controlled demolition using shaped charges, thermite, or thermate. He portrays Judy Wood and Jim Fetzer as infiltrators sent to confuse the 11 Truth movement, with Fetzer allegedly switching from promoting the thermite theory to mini-nukes under instruction. Mathis suggests the DEW narrative is being reintroduced now, akin to how nuclear fear was promoted for Ukraine, to make Reagan’s Star Wars project seem credible and to scare people into compliance with vaccinations.

He further scrutinizes the evidence for DEWs, stating that Air Force laser cannons have narrow beams and that lasers burn wood, which is inconsistent with the observed destruction in Maui where asphalt shingles should have been visible but are absent. Mathis believes the fires were staged with materials that burned white, avoiding dangerous fumes from asphalt shingles.

Mathis delves into Judy Wood’s background, suggesting her association with Morgan Reynolds, an alleged Bush government operative and infiltrator of the 11 Truth movement, makes her DEW claims suspect. He points to Reynolds’ employment after 11 at NCPA with figures like John Goodman and Jere Thompson as evidence of his continued involvement in influential circles. Mathis highlights that Judy Wood and Morgan Reynolds do not address Building Seven’s collapse, which he states was clearly a controlled demolition. He speculates about Wood’s ties to Virginia Tech, described as a “spook school,” and her promotion of John Hutchison, who allegedly faked levitation experiments with strings and had US military connections. Mathis also notes discrepancies in Wood’s father’s death information, suggesting ties to Fairfax, VA, the “front porch of the CIA”, and familial connections to Fort Belvoir. He questions her academic timeline, particularly a nine-year gap before her PhD, and her career trajectory as an assistant professor.

Mathis reiterates that Morgan Reynolds was an agent and that Judy Wood’s collaboration with him and her promotion of DEWs should have immediately disqualified her claims. He argues that the current promotion of DEWs by figures like Alex Jones is a continuation of this misdirection, using “dodgy ‘science’” and emotionalism. Mathis then discusses Alex Jones’s shifting stance on the Maui fires, from blaming “Chinese” energy weapons to calling it a normal fire, and then back to promoting DEWs. He also critiques Greg Reese of Infowars and Natural News for his pseudoscientific claims about blue objects surviving the fires due to a frequency of 666. Mathis concludes by addressing a newly surfaced video of the second plane hitting the Twin Towers, which he believes is a CGI fabrication to update the “optics” following the Oppenheimer movie and the questioning of nukes. He also adds a footnote questioning the eligibility for burial in Arlington National Cemetery for Judy Wood’s father.

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