The article argues that fake news is escalating, with platforms like YouTube and news sites like Gateway Pundit pushing fabricated stories. The author, Miles Mathis, describes how his YouTube feed was altered to promote a young individual, Milo Rossi, who claims expertise on various topics and debunks theories, particularly those of Graham Hancock. Rossi’s associations with the Republic of Türkiye Ministry of Culture and Tourism and Egypt Ministry of Culture are noted, as is his merchandise with a “Fool” theme, suggesting a deceptive agenda. Mathis also points to manipulated content, such as videos of street fights, as part of “Operation Chaos.”
The author then examines a seemingly fake story about Blue Origin being shut down by the government, promoted by a channel called Hollywood Access. He posits this is a deliberate government propaganda tactic to discredit critical voices by presenting outrageously false information that many will recognize as fake, thus leading people to dismiss all criticism of Blue Origin and Jeff Bezos.
Further examples of fabricated news include a story from Gateway Pundit about an AI recreation of a murdered victim used in court, allegedly reported by AZ Family from Phoenix. Mathis asserts that AZ Family uses computer-generated individuals as their “team,” suggesting it’s a front for military operations.
The article also scrutinizes a New York Post story about Calvin Crew murdering an Uber driver, Christina Spicuzza. Mathis disputes the visual evidence, claiming the individuals in the video don’t match descriptions or photos and that the video itself appears to be greenscreened. He highlights inconsistencies in the reporting of the trial, particularly regarding Calvin Crew’s absence from sentencing and the judge’s alleged private communication, attributing these illogical elements to AI writing. He speculates that the names Calvin Crew and Christina Spicuzza are fabricated, drawing parallels to Calvin Klein and J. Crew. He also notes conflicting information about Christina Spicuzza’s existence and relationships, linking her to Linda Spicuzza, Christen Koch, and other names associated with Jewish figures in the legal proceedings, suggesting a recurring group is involved in these hoaxes. The article also mentions Brandon Marto as Christina Spicuzza’s life partner but finds no corroborating evidence. Mathis concludes that the fake trial is a deliberate attempt to instigate “race wars,” citing Detective Renko’s alleged prejudiced Facebook posts as further evidence of manufactured narratives. The author criticizes the legal process, particularly the role of Deputy DA Schoedel and the admissibility of Renko’s posts, suggesting Schoedel specializes in staged trials and that her lack of public profile and a past lost case point to her being chosen for her appearance. The article implies a pattern of staged trials involving sex and race, with individuals chosen for their looks, similar to what CIA might look for.
YouTube, Milo Rossi, Graham Hancock, Republic of Türkiye Ministry of Culture and Tourism, Egypt Ministry of Culture, Operation Chaos, Hollywood Access, Access Hollywood, Blue Origin, Jeff Bezos, Gateway Pundit, Jim Hoft, AZ Family, Phoenix, Casey Torres, New York Post, Calvin Crew, Christina Spicuzza, CBS, EJ Borkowski, Calvin Klein, J. Crew, Vintage Langley, Radaris, Linda Spicuzza, Port Saint Lucie, FL, Christen Koch, Borkowski, Schoedel, Renko, Bayr, Greenwalt, Schwaderer, Marrs, Facebook, Brandon Marto, WPXI, Victor Joseph, O. J. Simpson, Marcia Clark, Allegheny County, Martindale, Adnan Pehlivan, CIA