This text, by Miles Mathis, claims that the 1981 death of Marcy Conrad, allegedly at the hands of Anthony Jacques Broussard, was a staged event used to promote the movie “River’s Edge”. The author asserts that provided photos of Conrad and Broussard are fake and unsupported by real searches for Broussard, whose identity and alleged prison parole details do not add up. The text further questions the identities and connections of people associated with Broussard, specifically Trasy Lynn Broussard (allegedly Scott Miller’s wife and Lewis Booth’s daughter, not Tracy Lewis) and their supposed children, Taryn Broussard and Shawn Crosby, linking them to individuals with connections to Fairfax Station, VA and Langley. The author suggests this event and its promotion were part of a “Race Wars” agenda and a “Men-are-Pigs event”. The film “River’s Edge” is then scrutinized as a CIA propaganda piece, highlighted by the involvement of Dennis Hopper, who the author claims has a history of CIA connections. The film’s awards, particularly the Spirit Awards (founded by Film Independent), are also labeled as CIA fronts, with the trophy’s design and the award date (March 3) interpreted as symbolic. The director, Tim Hunter, is presented as a CIA operative with deep ties to powerful families and other “CIA projects” like “Twin Peaks” and “Breaking Bad”. Sarah Pillsbury, a producer of “River’s Edge”, is linked to billionaire families and the CIA, and her foundation, Liberty Hill Foundation, is noted for its growth after the alleged “Rodney King faked event” in 1992, further solidifying the author’s theory of staged events benefiting established powers.

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